The Bachelors
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
Set amidst the grey, fog-laden streets of 1950s London, The Bachelors is a razor-sharp comedy of manners that chronicles the interlocking lives of a cast of unmarried men, each trapped in their own peculiar orbit of loneliness, self-delusion, and social farce. At the novel's centre is a fraudulent spiritualist named Patrick Seton, whose criminal trial for forgery draws together a web of bachelors — solitary figures whose bachelorhood is less a lifestyle choice than a symptom of deeper moral and spiritual paralysis. Muriel Spark writes with a wit as precise and unsparing as a surgical blade, her prose stripped of sentimentality yet alive with darkly comic energy. The Bachelors stands as a masterful satire of mid-century English society, interrogating themes of faith, guilt, free will, and the performative nature of identity. Spark — a Catholic convert — infuses the narrative with a theological undertow that quietly unsettles the comedic surface, leaving the reader to wonder whether any of her characters are truly free, or merely acting out roles already written for them.
Author: Muriel Spark
Format: Paperback
Genre: Modern fiction
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
Set amidst the grey, fog-laden streets of 1950s London, The Bachelors is a razor-sharp comedy of manners that chronicles the interlocking lives of a cast of unmarried men, each trapped in their own peculiar orbit of loneliness, self-delusion, and social farce. At the novel's centre is a fraudulent spiritualist named Patrick Seton, whose criminal trial for forgery draws together a web of bachelors — solitary figures whose bachelorhood is less a lifestyle choice than a symptom of deeper moral and spiritual paralysis. Muriel Spark writes with a wit as precise and unsparing as a surgical blade, her prose stripped of sentimentality yet alive with darkly comic energy. The Bachelors stands as a masterful satire of mid-century English society, interrogating themes of faith, guilt, free will, and the performative nature of identity. Spark — a Catholic convert — infuses the narrative with a theological undertow that quietly unsettles the comedic surface, leaving the reader to wonder whether any of her characters are truly free, or merely acting out roles already written for them.