The Public Image
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: Previous owner
Condition remarks: Condition as shown in image
Behind the glamour of Rome's film world lies a carefully constructed lie — and in The Public Image, Muriel Spark chronicles the unravelling of Annabel Christopher, a British actress whose carefully manufactured celebrity persona begins to crumble when her husband's suicide is staged to destroy her reputation. Set against the sun-drenched yet sinister backdrop of 1960s Rome, this razor-sharp novel presents the brutal machinery of fame and the violent gap between a woman's true self and the image the world consumes. Spark, one of the twentieth century's most precise and devastating stylists, constructs her narrative with surgical economy — not a word is wasted, not a scene misplaced. The Public Image dissects the performative nature of identity, the cruelty of public perception, and the impossible standards imposed upon women in the spotlight. At just over a hundred pages, it strikes with the force of a much longer work, leaving the reader to question what, if anything, remains of a person once the world has finished defining them.
Author: Muriel Spark
Format: Paperback
Genre: Modern fiction
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: Previous owner
Condition remarks: Condition as shown in image
Behind the glamour of Rome's film world lies a carefully constructed lie — and in The Public Image, Muriel Spark chronicles the unravelling of Annabel Christopher, a British actress whose carefully manufactured celebrity persona begins to crumble when her husband's suicide is staged to destroy her reputation. Set against the sun-drenched yet sinister backdrop of 1960s Rome, this razor-sharp novel presents the brutal machinery of fame and the violent gap between a woman's true self and the image the world consumes. Spark, one of the twentieth century's most precise and devastating stylists, constructs her narrative with surgical economy — not a word is wasted, not a scene misplaced. The Public Image dissects the performative nature of identity, the cruelty of public perception, and the impossible standards imposed upon women in the spotlight. At just over a hundred pages, it strikes with the force of a much longer work, leaving the reader to question what, if anything, remains of a person once the world has finished defining them.