Ernest Hemingway: A Hamlyn History
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Very good
Jacket: Very good
Pages: Good
Markings: No markings
A work of literary criticism and cultural theory, Ernest Hemingway: A Hamlet History by Dardo Scavino presents a bold and intellectually rigorous reinterpretation of one of American literature's most iconic figures through the lens of Shakespeare's most famous tragic hero. Scavino argues that Hemingway's life, persona, and literary output are deeply shaped by a Hamlet-like tension — a paralysis between action and reflection, performance and authenticity — that runs beneath the celebrated surface of masculine bravado. Drawing on a rich array of philosophical and psychoanalytic frameworks, the text illustrates how this internal conflict manifests across Hemingway's major works and his carefully constructed public identity. Written with the precision and rigor characteristic of continental literary theory, the analysis challenges readers to reconsider the myth of Hemingway as a man of pure action and instead recognize the brooding, self-doubting intellectual lurking within. The result is a provocative and scholarly reassessment that will resonate with students of American literature, comparative literature, and cultural studies alike.
Author: David Sandison
Format: Hardback
Published: 1998, Hamlyn
Genre: Biography
Condition remarks:
Book: Very good
Jacket: Very good
Pages: Good
Markings: No markings
A work of literary criticism and cultural theory, Ernest Hemingway: A Hamlet History by Dardo Scavino presents a bold and intellectually rigorous reinterpretation of one of American literature's most iconic figures through the lens of Shakespeare's most famous tragic hero. Scavino argues that Hemingway's life, persona, and literary output are deeply shaped by a Hamlet-like tension — a paralysis between action and reflection, performance and authenticity — that runs beneath the celebrated surface of masculine bravado. Drawing on a rich array of philosophical and psychoanalytic frameworks, the text illustrates how this internal conflict manifests across Hemingway's major works and his carefully constructed public identity. Written with the precision and rigor characteristic of continental literary theory, the analysis challenges readers to reconsider the myth of Hemingway as a man of pure action and instead recognize the brooding, self-doubting intellectual lurking within. The result is a provocative and scholarly reassessment that will resonate with students of American literature, comparative literature, and cultural studies alike.