Mcsweeney's Issue 22: From The Notebook: The Unwritten Stories Of F. Scott Fitzgerald; The State Of Constraint: New Work From Oulipo; The Poetry Chains Of Dominic Luxford
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: N/A
Pages: Good
Markings: No markings
A landmark entry in the celebrated literary journal series, McSweeney's Issue 22 presents a trifecta of ambitious editorial projects that showcase the breadth and daring of contemporary literary culture. The first section uncovers the unwritten stories of F. Scott Fitzgerald, drawing from his personal notebooks to reconstruct the fragments, sketches, and ideas that never fully materialized into finished works — offering an intimate glimpse into the creative mind behind The Great Gatsby. The second section chronicles new work from Oulipo, the legendary French collective of writers and mathematicians who compose under strict formal constraints, illustrating how limitation can paradoxically unleash extraordinary creative invention. Rounding out the issue, the poetry chains of Dominic Luxford introduce a formally inventive sequence that pushes the boundaries of verse structure. Throughout, the issue maintains McSweeney's signature tone — intellectually rigorous yet playful, experimental yet deeply literary — making it an essential artifact for serious readers and collectors of avant-garde publishing.
Author: Dave Eggers (editor)
Format: Hardback
Published: 2006, Penguin
Genre: Anthology
Condition remarks:
Book: Good
Jacket: N/A
Pages: Good
Markings: No markings
A landmark entry in the celebrated literary journal series, McSweeney's Issue 22 presents a trifecta of ambitious editorial projects that showcase the breadth and daring of contemporary literary culture. The first section uncovers the unwritten stories of F. Scott Fitzgerald, drawing from his personal notebooks to reconstruct the fragments, sketches, and ideas that never fully materialized into finished works — offering an intimate glimpse into the creative mind behind The Great Gatsby. The second section chronicles new work from Oulipo, the legendary French collective of writers and mathematicians who compose under strict formal constraints, illustrating how limitation can paradoxically unleash extraordinary creative invention. Rounding out the issue, the poetry chains of Dominic Luxford introduce a formally inventive sequence that pushes the boundaries of verse structure. Throughout, the issue maintains McSweeney's signature tone — intellectually rigorous yet playful, experimental yet deeply literary — making it an essential artifact for serious readers and collectors of avant-garde publishing.