Byzantine Art
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Fair
Jacket: Slipcase: Worn
Pages: Good
Markings: Previous owner
Condition remarks: Condition as shown in image
A landmark work in art history, Byzantine Art presents a comprehensive survey of one of the most spiritually rich and visually distinctive artistic traditions the world has ever produced. D. Talbot Rice chronicles the development of Byzantine aesthetics from its roots in late antiquity through the fall of Constantinople in 1453, tracing the evolution of mosaics, icons, illuminated manuscripts, and ivory carvings with scholarly precision. The text argues that Byzantine art was never static or merely decorative, but rather a deeply theological visual language that communicated the doctrines of the Eastern Orthodox Church with extraordinary sophistication. Written with authoritative clarity, it illustrates how Byzantine artists synthesized Hellenistic, Roman, and Eastern influences into a unified and enduring style that would profoundly shape the art of medieval Europe and the Slavic world. This essential reference remains an indispensable guide for students, collectors, and enthusiasts seeking a rigorous yet accessible introduction to the grandeur of Byzantium's artistic legacy.
Author: D. Talbot Rice
Format: Paperback
Published: 1968, Penguin Books
Genre: History of arts
Condition remarks:
Book: Fair
Jacket: Slipcase: Worn
Pages: Good
Markings: Previous owner
Condition remarks: Condition as shown in image
A landmark work in art history, Byzantine Art presents a comprehensive survey of one of the most spiritually rich and visually distinctive artistic traditions the world has ever produced. D. Talbot Rice chronicles the development of Byzantine aesthetics from its roots in late antiquity through the fall of Constantinople in 1453, tracing the evolution of mosaics, icons, illuminated manuscripts, and ivory carvings with scholarly precision. The text argues that Byzantine art was never static or merely decorative, but rather a deeply theological visual language that communicated the doctrines of the Eastern Orthodox Church with extraordinary sophistication. Written with authoritative clarity, it illustrates how Byzantine artists synthesized Hellenistic, Roman, and Eastern influences into a unified and enduring style that would profoundly shape the art of medieval Europe and the Slavic world. This essential reference remains an indispensable guide for students, collectors, and enthusiasts seeking a rigorous yet accessible introduction to the grandeur of Byzantium's artistic legacy.