
Art in Australia
Condition: SECONDHAND
NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: Christopher Allen
Format: Paperback
Number of Pages: 224
Does Australian art have a history or is it just a series of belated footnotes to European and American artistic development in the last two centuries? Does it always express some essential "Australian sensibility"? Christopher Allen's book argues that Australian art does have a history of its own from the beginning, not because of an inherent "Australianness," but because of the objective conditions of a society transplanted to a remote and strange place. Artists brought with them current European styles, but everything acquired a subtly different meaning in this new setting, as old resources were applied to new problems. The starting point of Australian art history, as of Australian history in general, is the question of inhabiting a new continent. From the colonist trying to form an image of home in a foreign landscape to the postmodernist discovering in Australia the epitome of a homeless condition, it has rarely been absent from the most important art.
Author: Christopher Allen
Format: Paperback
Number of Pages: 224
Does Australian art have a history or is it just a series of belated footnotes to European and American artistic development in the last two centuries? Does it always express some essential "Australian sensibility"? Christopher Allen's book argues that Australian art does have a history of its own from the beginning, not because of an inherent "Australianness," but because of the objective conditions of a society transplanted to a remote and strange place. Artists brought with them current European styles, but everything acquired a subtly different meaning in this new setting, as old resources were applied to new problems. The starting point of Australian art history, as of Australian history in general, is the question of inhabiting a new continent. From the colonist trying to form an image of home in a foreign landscape to the postmodernist discovering in Australia the epitome of a homeless condition, it has rarely been absent from the most important art.
Description
NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: Christopher Allen
Format: Paperback
Number of Pages: 224
Does Australian art have a history or is it just a series of belated footnotes to European and American artistic development in the last two centuries? Does it always express some essential "Australian sensibility"? Christopher Allen's book argues that Australian art does have a history of its own from the beginning, not because of an inherent "Australianness," but because of the objective conditions of a society transplanted to a remote and strange place. Artists brought with them current European styles, but everything acquired a subtly different meaning in this new setting, as old resources were applied to new problems. The starting point of Australian art history, as of Australian history in general, is the question of inhabiting a new continent. From the colonist trying to form an image of home in a foreign landscape to the postmodernist discovering in Australia the epitome of a homeless condition, it has rarely been absent from the most important art.
Author: Christopher Allen
Format: Paperback
Number of Pages: 224
Does Australian art have a history or is it just a series of belated footnotes to European and American artistic development in the last two centuries? Does it always express some essential "Australian sensibility"? Christopher Allen's book argues that Australian art does have a history of its own from the beginning, not because of an inherent "Australianness," but because of the objective conditions of a society transplanted to a remote and strange place. Artists brought with them current European styles, but everything acquired a subtly different meaning in this new setting, as old resources were applied to new problems. The starting point of Australian art history, as of Australian history in general, is the question of inhabiting a new continent. From the colonist trying to form an image of home in a foreign landscape to the postmodernist discovering in Australia the epitome of a homeless condition, it has rarely been absent from the most important art.

Art in Australia