Visions of the Modern

Visions of the Modern

$39.99 AUD $12.00 AUD

Availability: in stock at our Tullamarine warehouse

Condition: SECONDHAND

This is a secondhand book. The jacket image is indicative only and does not represent the condition of this copy. For information about the condition of this book you can email us.

John Golding is one of the most highly regarded living writers on modern art. "Visions of the Modern" assembles many of his most important essays: some long out of print, others first published in journals inaccessible to the average reader, still others which started life as lectures. Together they create a whole greater than the sum of its parts. A distinguished painter in his own right, John Golding taught for many years at the Courtauld Institute and at the Royal College of Art, and has held the Slade Professorship at Cambridge. He brings to his scholarship a particular understanding of the way in which the giants of modernism - Picasso, Matisse, Leger, Malevich, Brancusi, Duchamp and others - faced and achieved their goals and careers. And a dialogue between Golding and the philosopher Richard Wollheim casts new light on the origins and aims of abstract art.

Author: John Golding
Format: Paperback, 368 pages, 153mm x 233mm
Published: 1995, Thames & Hudson Ltd, United Kingdom
Genre: The Arts: General & Reference

Description
John Golding is one of the most highly regarded living writers on modern art. "Visions of the Modern" assembles many of his most important essays: some long out of print, others first published in journals inaccessible to the average reader, still others which started life as lectures. Together they create a whole greater than the sum of its parts. A distinguished painter in his own right, John Golding taught for many years at the Courtauld Institute and at the Royal College of Art, and has held the Slade Professorship at Cambridge. He brings to his scholarship a particular understanding of the way in which the giants of modernism - Picasso, Matisse, Leger, Malevich, Brancusi, Duchamp and others - faced and achieved their goals and careers. And a dialogue between Golding and the philosopher Richard Wollheim casts new light on the origins and aims of abstract art.