Palma Vecchio

Palma Vecchio

$275.00 AUD $100.00 AUD

Availability: in stock at our Tullamarine warehouse

Condition: SECONDHAND

This is a secondhand book. The jacket image is indicative only and does not represent the condition of this copy. For information about the condition of this book you can email us.

Palma Vecchio (1480-1528) was a leading painter of the italian Renaissance in Venice. As a contemporary of Titian, his short career unfolded at the beginning of the sixteenth century, the Golden Age of Venetian art which includes the work of Palladio, Tintoretto, Sansovino and Veronese. Like Giorgione and the young Titian, Palma participated in a crucial period of transition from an Early to a High Renaissance pictorical style in Venice. Despite his high reputation among British collectors and museums since at least the nineteenth century, no book has ever previously been published in English on Palma Vecchio. The few monographs in other languages are both outdated and inadequate. His paintings are famous for theis sensual appeal: idealized saints in verdant landscapes, female nudes, beautiful and sensual women in half length portraits, grandiose alterpieces, and a rich and warm palette of vibrant colours. All documents are taken into consideration, and the fully-illustrated catalogues establish a chronology and identify the autograph work. A substantial text in six chapters deals with the artist's work according to his characteristic subject matter: altarpieces, Madonnas and Saints, and portraits (male and female).

Author: Philip Rylands
Format: Hardback, 402 pages, 384mm x 245mm, 2360 g
Published: 1992, Cambridge University Press, United Kingdom
Genre: Individual Artists / Art Monographs

Reviews

Customer Reviews

Be the first to write a review
0%
(0)
0%
(0)
0%
(0)
0%
(0)
0%
(0)
Description
Palma Vecchio (1480-1528) was a leading painter of the italian Renaissance in Venice. As a contemporary of Titian, his short career unfolded at the beginning of the sixteenth century, the Golden Age of Venetian art which includes the work of Palladio, Tintoretto, Sansovino and Veronese. Like Giorgione and the young Titian, Palma participated in a crucial period of transition from an Early to a High Renaissance pictorical style in Venice. Despite his high reputation among British collectors and museums since at least the nineteenth century, no book has ever previously been published in English on Palma Vecchio. The few monographs in other languages are both outdated and inadequate. His paintings are famous for theis sensual appeal: idealized saints in verdant landscapes, female nudes, beautiful and sensual women in half length portraits, grandiose alterpieces, and a rich and warm palette of vibrant colours. All documents are taken into consideration, and the fully-illustrated catalogues establish a chronology and identify the autograph work. A substantial text in six chapters deals with the artist's work according to his characteristic subject matter: altarpieces, Madonnas and Saints, and portraits (male and female).