Herb Ritts' Africa

Herb Ritts' Africa

$160.00 AUD $75.00 AUD

Availability: in stock at our Melbourne warehouse.

Condition: SECONDHAND

NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: Herb Ritts

Format: Hardback

Number of Pages: 144


This sumptuously designed and printed book shows some unusual subjects by Ritts, well known for his fashion and celebrity photographs. His easily recognizable style has been applied here to Africa (many images were made in Tanzania and feature the Maasai tribe), where he focuses on textures and the play of light and shadows on human faces, wild animals, carcasses, and bones. He chooses exotic landscapes as backgrounds for his posed shots, mostly young African women, whose skin, hair, and jewelry are elegantly presented. Some of the strongest images are surreal juxtapositions of animals (and men) devouring newly killed beasts; desert-tough feet; and men wearing skull masks. The presentation is impeccable, but listing captions at the end is irritating and underlines the fact that this is not so much documentary work as fashion photography in a new location. However, the book will be interesting to photographers and, perhaps, anthropologists.



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Description
NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: Herb Ritts

Format: Hardback

Number of Pages: 144


This sumptuously designed and printed book shows some unusual subjects by Ritts, well known for his fashion and celebrity photographs. His easily recognizable style has been applied here to Africa (many images were made in Tanzania and feature the Maasai tribe), where he focuses on textures and the play of light and shadows on human faces, wild animals, carcasses, and bones. He chooses exotic landscapes as backgrounds for his posed shots, mostly young African women, whose skin, hair, and jewelry are elegantly presented. Some of the strongest images are surreal juxtapositions of animals (and men) devouring newly killed beasts; desert-tough feet; and men wearing skull masks. The presentation is impeccable, but listing captions at the end is irritating and underlines the fact that this is not so much documentary work as fashion photography in a new location. However, the book will be interesting to photographers and, perhaps, anthropologists.