Homemade Men in Postwar Austrian Cinema: Nationhood, Genre and
Despite the massive influx of Hollywood movies and films from other European countries after World War II, Austrian film continued to be hugely popular with Austrian and German audiences. By examining the decisive role that popular cinema played in the turbulent post-war era, this book provides unique insights into the reconstruction of a disrupted society. Through detailed analysis of the stylistic patterns, narratives and major themes of four popular genres of the time, costume film, Heimatfilm, tourist film and comedy, the book explains how popular cinema helped to shape national identity, smoothed conflicted gender relations and relieved the Austrians from the burden of the Nazi past through celebrating the harmonious, charming, musical Austrian man.
Maria Fritsche is a film historian and Associate Professor at the Department of History at the University of Trondheim in Norway, where she is currently investigating the American Marshall Plan film campaign in post-war Europe.
Author: Maria Fritsche
Format: Hardback, 228 pages, 152mm x 229mm, 558 g
Published: 2013, Berghahn Books, United Kingdom
Genre: Film, TV & Radio
Despite the massive influx of Hollywood movies and films from other European countries after World War II, Austrian film continued to be hugely popular with Austrian and German audiences. By examining the decisive role that popular cinema played in the turbulent post-war era, this book provides unique insights into the reconstruction of a disrupted society. Through detailed analysis of the stylistic patterns, narratives and major themes of four popular genres of the time, costume film, Heimatfilm, tourist film and comedy, the book explains how popular cinema helped to shape national identity, smoothed conflicted gender relations and relieved the Austrians from the burden of the Nazi past through celebrating the harmonious, charming, musical Austrian man.
Maria Fritsche is a film historian and Associate Professor at the Department of History at the University of Trondheim in Norway, where she is currently investigating the American Marshall Plan film campaign in post-war Europe.
