The Architect King: George Iii And The Culture Of The Enlightenment
Condition: SECONDHAND
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Condition remarks:
Hardcover - dust jacket
Secondhand book: generally 'Very Good' to 'Excellent'. These are books which may have some slight wear and tear or sun fading on the edges. There may be an inscription at the front.
Published by Royal Collection Publications, The Architect King: George III and the Culture of the Enlightenment presents a richly detailed examination of George III not as the monarch of popular caricature, but as a sophisticated patron of the arts, architecture, and science. Historian David Watkin argues that the king's passion for architecture and design placed him at the very heart of Enlightenment culture in Britain, reshaping the visual and intellectual landscape of the Georgian era. The work chronicles George III's deep engagement with neoclassicism, his personal involvement in architectural projects, and his relationships with leading thinkers, artists, and builders of his time. Scholarly yet accessible in tone, it illustrates how a king's aesthetic vision profoundly influenced the cultural and architectural identity of a nation during one of its most transformative periods.
Author: David Watkin
Format: Hardback
Published: 2004, Royal Collection Publications
Genre: Architecture
Condition remarks:
Hardcover - dust jacket
Secondhand book: generally 'Very Good' to 'Excellent'. These are books which may have some slight wear and tear or sun fading on the edges. There may be an inscription at the front.
Published by Royal Collection Publications, The Architect King: George III and the Culture of the Enlightenment presents a richly detailed examination of George III not as the monarch of popular caricature, but as a sophisticated patron of the arts, architecture, and science. Historian David Watkin argues that the king's passion for architecture and design placed him at the very heart of Enlightenment culture in Britain, reshaping the visual and intellectual landscape of the Georgian era. The work chronicles George III's deep engagement with neoclassicism, his personal involvement in architectural projects, and his relationships with leading thinkers, artists, and builders of his time. Scholarly yet accessible in tone, it illustrates how a king's aesthetic vision profoundly influenced the cultural and architectural identity of a nation during one of its most transformative periods.