Hatchet Job: Love Movies, Hate Critics
Condition: SECONDHAND
NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: Mark Kermode
Format: Paperback
Number of Pages: 400
Once upon a time there were professional film makers and professional critics. They didn't always agree, but there was a mutual respect. It is very different now. Starting with the celebrated TV fight between Ken Russell and Alexander Walker (the former hit the latter with a rolled up copy of his Evening Standard review!) and ending with his own admission to Steven Spielberg of a major error of judgement, Mark Kermode takes us on a journey across the modern cinematic landscape. We are all critics now and, as the professional role diminishes, the democratic opportunities of the internet have created a new monster. Relying on speed of response, rather than considered reaction, these new critics have stolen the thunder of their paid up counterparts. But there is a dark side, the shocking deceptions hidden behind the facade of our digital world's new and supposedly democratic alternative, "the honest, unmediated audience response". Mark questions the future of any and all genuinely impartial criticism when reviews are systemically corrupted by bribery, vote-rigging, cyber-stalking, and sock-puppetry. And he asks that crucial question, what kind of films would we have if we listened to what the audience thinks it wants?
Author: Mark Kermode
Format: Paperback
Number of Pages: 400
Once upon a time there were professional film makers and professional critics. They didn't always agree, but there was a mutual respect. It is very different now. Starting with the celebrated TV fight between Ken Russell and Alexander Walker (the former hit the latter with a rolled up copy of his Evening Standard review!) and ending with his own admission to Steven Spielberg of a major error of judgement, Mark Kermode takes us on a journey across the modern cinematic landscape. We are all critics now and, as the professional role diminishes, the democratic opportunities of the internet have created a new monster. Relying on speed of response, rather than considered reaction, these new critics have stolen the thunder of their paid up counterparts. But there is a dark side, the shocking deceptions hidden behind the facade of our digital world's new and supposedly democratic alternative, "the honest, unmediated audience response". Mark questions the future of any and all genuinely impartial criticism when reviews are systemically corrupted by bribery, vote-rigging, cyber-stalking, and sock-puppetry. And he asks that crucial question, what kind of films would we have if we listened to what the audience thinks it wants?
Description
NB: This is a secondhand book in very good condition. See our FAQs for more information. Please note that the jacket image is indicative only. A description of our secondhand books is not always available. Please contact us if you have a question about this title.
Author: Mark Kermode
Format: Paperback
Number of Pages: 400
Once upon a time there were professional film makers and professional critics. They didn't always agree, but there was a mutual respect. It is very different now. Starting with the celebrated TV fight between Ken Russell and Alexander Walker (the former hit the latter with a rolled up copy of his Evening Standard review!) and ending with his own admission to Steven Spielberg of a major error of judgement, Mark Kermode takes us on a journey across the modern cinematic landscape. We are all critics now and, as the professional role diminishes, the democratic opportunities of the internet have created a new monster. Relying on speed of response, rather than considered reaction, these new critics have stolen the thunder of their paid up counterparts. But there is a dark side, the shocking deceptions hidden behind the facade of our digital world's new and supposedly democratic alternative, "the honest, unmediated audience response". Mark questions the future of any and all genuinely impartial criticism when reviews are systemically corrupted by bribery, vote-rigging, cyber-stalking, and sock-puppetry. And he asks that crucial question, what kind of films would we have if we listened to what the audience thinks it wants?
Author: Mark Kermode
Format: Paperback
Number of Pages: 400
Once upon a time there were professional film makers and professional critics. They didn't always agree, but there was a mutual respect. It is very different now. Starting with the celebrated TV fight between Ken Russell and Alexander Walker (the former hit the latter with a rolled up copy of his Evening Standard review!) and ending with his own admission to Steven Spielberg of a major error of judgement, Mark Kermode takes us on a journey across the modern cinematic landscape. We are all critics now and, as the professional role diminishes, the democratic opportunities of the internet have created a new monster. Relying on speed of response, rather than considered reaction, these new critics have stolen the thunder of their paid up counterparts. But there is a dark side, the shocking deceptions hidden behind the facade of our digital world's new and supposedly democratic alternative, "the honest, unmediated audience response". Mark questions the future of any and all genuinely impartial criticism when reviews are systemically corrupted by bribery, vote-rigging, cyber-stalking, and sock-puppetry. And he asks that crucial question, what kind of films would we have if we listened to what the audience thinks it wants?
Hatchet Job: Love Movies, Hate Critics