The Life of the Mind: "Sharp and funny." (Daily Mail)

The Life of the Mind: "Sharp and funny." (Daily Mail)

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'Calling all millennials - this is the comic novel for you.' - The Times The Life of the Mind opens with Dorothy sitting on a library toilet, checking her phone and examining the "thick, curdled knots of string" coming out of her body. No one but her boyfriend knows that she's had a miscarriage, not even her therapists -Dorothy has two of them. An adjunct professor of English in New York City with no hope of finding a permanent position, Dorothy's stuck, unable to envision the future or cut ties with the past. "What did you call it," she asks herself, "when a life stopped developing, but it didn't end?" Christine Smallwood's debut is a campus novel like no other. Piercingly intelligent and darkly hilarious, it moves from a classroom to an underwater puppet show, from a conference in Las Vegas to a karaoke party. It is a discomforting glimpse into the head of a brilliant woman on the edge, it is a novel about endings: of youth, of professional aspiration, of possibility, of the illusion that our minds can ever free us from the tyranny of our bodies. 'A jewel of a debut . . . abundantly satisfying.' - Jia Tolentino 'This book made me laugh out loud; its pages are marked by a snorting ungenerous glee that is at times indistinguishable from despair.' - The New York Review of Books

Author: Christine Smallwood
Format: Paperback, 208 pages, 129mm x 198mm
Published: 2022, Europa Editions (UK) Ltd, United Kingdom
Genre: General & Literary Fiction

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'Calling all millennials - this is the comic novel for you.' - The Times The Life of the Mind opens with Dorothy sitting on a library toilet, checking her phone and examining the "thick, curdled knots of string" coming out of her body. No one but her boyfriend knows that she's had a miscarriage, not even her therapists -Dorothy has two of them. An adjunct professor of English in New York City with no hope of finding a permanent position, Dorothy's stuck, unable to envision the future or cut ties with the past. "What did you call it," she asks herself, "when a life stopped developing, but it didn't end?" Christine Smallwood's debut is a campus novel like no other. Piercingly intelligent and darkly hilarious, it moves from a classroom to an underwater puppet show, from a conference in Las Vegas to a karaoke party. It is a discomforting glimpse into the head of a brilliant woman on the edge, it is a novel about endings: of youth, of professional aspiration, of possibility, of the illusion that our minds can ever free us from the tyranny of our bodies. 'A jewel of a debut . . . abundantly satisfying.' - Jia Tolentino 'This book made me laugh out loud; its pages are marked by a snorting ungenerous glee that is at times indistinguishable from despair.' - The New York Review of Books