British Art: Defining the 90s
Condition: SECONDHAND
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Contemporary British art has been reaching wider audiences in recent years at home and abroad, with the nation-wide interest attracted by the Turner Prize and the increased profile of young British artists internationally. This text, rather than being a survey, highlights the various aspects of particular interest and activity which make the British scene distinctive and exciting. Contributors include: Andrew Wilson on new painting; Adrian Heathfield interviewing Blaast Theory, Desperate Optimists and Forced Entertainment on aspects of British Live Art; Oriana Baddeley interviewing Gulf War artist John Keane; Petrine Archer-Straw interviewing Eddie Chambers on black art in Britain; Jeffrey Kastner on Matts Gallery and the phenomenon of artist-run spaces; Liam Gillick on the internationalization of recent British art; and Andrew Renton on the 1994 Turner Prize winner, Antony Gormley.
Author: Academy
Format: Paperback, 120 pages, 98mm x 120mm, 790 g
Published: 1995, John Wiley and Sons Ltd, United Kingdom
Genre: Fine Arts / Art History
Contemporary British art has been reaching wider audiences in recent years at home and abroad, with the nation-wide interest attracted by the Turner Prize and the increased profile of young British artists internationally. This text, rather than being a survey, highlights the various aspects of particular interest and activity which make the British scene distinctive and exciting. Contributors include: Andrew Wilson on new painting; Adrian Heathfield interviewing Blaast Theory, Desperate Optimists and Forced Entertainment on aspects of British Live Art; Oriana Baddeley interviewing Gulf War artist John Keane; Petrine Archer-Straw interviewing Eddie Chambers on black art in Britain; Jeffrey Kastner on Matts Gallery and the phenomenon of artist-run spaces; Liam Gillick on the internationalization of recent British art; and Andrew Renton on the 1994 Turner Prize winner, Antony Gormley.