Secondhand Literary Fiction Bargain Book Box SP2616
Secondhand Literary Fiction Bargain Book Box SP2616
Twenty-two novels spanning British, Australian, American, and Russian literary fiction — four E.M. Forster titles in a single box, three Barry Oakley novels, and a supporting cast that reads like a very good university syllabus: Burgess, Muriel Spark, André Gide, Elizabeth Bowen, Turgenev, Updike, Hardy, Waugh, Fitzgerald. This is what a careful reader's shelf looks like when it finally gets thinned out: decades of accumulated good taste arriving all at once. For anyone building a serious literary fiction collection, this is a considerable shortcut.
- A Wild Ass of a Man — Barry Oakley — Barry Oakley's debut novel, a picaresque and wildly entertaining account of an ambitious young Australian's collision with the adult worlds of work, love, and self-invention.
- A Salute to the Great McCarthy — Barry Oakley — Oakley's comic novel about Australian Rules football, written with the affectionate irreverence and sharp comic timing that established him as one of the most distinctive satirists in Australian fiction.
- Let's Hear It for Prendergast — Barry Oakley — A darkly comic novel about a failed Australian playwright whose domestic and professional lives are in simultaneous freefall, written with Oakley's characteristic blend of farce and sympathy.
- Night and Silence Who is Here? — Pamela Hansford Johnson — A comedy of American academic life in which a visiting English novelist encounters the full absurdity of the creative writing industry, written with the wry intelligence and precise social observation that mark all of Johnson's best work.
- Cork Street, Next to the Hatter's — Pamela Hansford Johnson — A sharply observed novel about London's contemporary art world, in which Johnson skewers the pretensions of dealers, collectors, and artists with characteristic wit and a clear-eyed understanding of how taste and money intersect.
- Fathers and Sons — Turgenev — Turgenev's masterpiece, in which the conflict between generations is embodied in the nihilist Bazarov, set against the fading world of the Russian landed gentry in a novel of extraordinary depth and sadness.
- The Abbess of Crewe — Muriel Spark — Spark's witty and devastating roman à clef about the Watergate scandal, transposing the Nixon White House to an English convent and producing one of the funniest and most formally perfect short novels in the language.
- Strait is the Gate — André Gide — Gide's early novella about religious passion and self-denial, in which a young woman's spiritual idealism becomes a form of quiet destruction — brief, concentrated, and quietly devastating.
- The Longest Journey — E.M. Forster — The least celebrated but perhaps most personal of Forster's novels, following a Cambridge undergraduate who compromises his ideals for social respectability and pays the price — written with the urgency of a young novelist working out what he believes.
- A Clockwork Orange — Anthony Burgess — Burgess's visionary and still-startling novel about free will, violence, and state power, narrated in the invented teenage slang "Nadsat" — a book that has not aged, and shows no sign of doing so.
- The Malayan Trilogy — Anthony Burgess — Three connected novels set during the final years of British Malaya, collecting "Time for a Tiger," "The Enemy in the Blanket," and "Beds in the East" — a richly observed, linguistically dazzling portrait of a culture in the process of transforming itself forever.
- The Diary of a Madman — Nikolai Gogol — Gogol's brilliantly unsettling story of a minor government clerk whose grip on reality loosens until he believes himself to be the King of Spain — a comic and deeply sad exploration of alienation and the cruelties of bureaucratic life.
- Home of the Gentry — Turgenev — Turgenev's melancholy novel about a man who returns to his family estate after an unhappy marriage, finds love, and then loses it — written with his extraordinary gift for atmosphere and the particular Russian art of beautiful regret.
- Rabbit is Rich — John Updike — The third Rabbit novel, in which Harry Angstrom has finally made a comfortable life for himself but finds comfort less satisfying than ambition — a Pulitzer Prize-winning portrait of middle-aged America at its most prosperous and most empty.
- Jude the Obscure — Thomas Hardy — Hardy's last and bleakest novel, in which a stonemason's dreams of education and love are systematically destroyed by class, convention, and bad luck — the savage indictment of Victorian society that caused such outrage Hardy never wrote another novel.
- A Room with a View — E.M. Forster — One of Forster's most joyful and accessible novels, in which a young Englishwoman's liberation — emotional, intellectual, and romantic — begins with a pension in Florence and is completed in the Surrey countryside.
- The Death of the Heart — Elizabeth Bowen — Bowen's finest novel, in which sixteen-year-old Portia discovers the gap between the emotional world she has imagined and the adult world of calculation and performance surrounding her — written in prose of extraordinary precision and feeling.
- The Adventures of Huckleberry Finn — Mark Twain — Twain's immortal river novel, in which Huck and the escaped slave Jim drift down the Mississippi and America's great moral contradictions — freedom and slavery, innocence and complicity — are held up to the light with deadpan compassion.
- Howards End — E.M. Forster — Forster's most ambitious novel, in which the competing values of culture, commerce, and property play out across two families, building to one of the most morally complex climaxes in English fiction.
- Where Angels Fear to Tread — E.M. Forster — Forster's first novel, in which an impulsive English widow's Italian marriage sets off a chain of interference, self-deception, and tragedy that reveals exactly what the author thought was wrong with Edwardian England.
- The Ordeal of Gilbert Pinfold — Evelyn Waugh — Waugh's disturbing and semi-autobiographical novel about a famous novelist who suffers a breakdown at sea and begins hearing voices — at once a comedy, a horror story, and a candid act of self-examination from one of the century's most technically accomplished writers.
- The Crack-Up — F. Scott Fitzgerald — A posthumous collection of Fitzgerald's essays and autobiographical writings in which the author of Gatsby reflects with painful honesty on the collapse of his personal and creative life — required reading for anyone who wants to understand what the American dream looks like from the wreckage.
Secondhand Literary Fiction Bargain Book Box SP2616
Twenty-two novels spanning British, Australian, American, and Russian literary fiction — four E.M. Forster titles in a single box, three Barry Oakley novels, and a supporting cast that reads like a very good university syllabus: Burgess, Muriel Spark, André Gide, Elizabeth Bowen, Turgenev, Updike, Hardy, Waugh, Fitzgerald. This is what a careful reader's shelf looks like when it finally gets thinned out: decades of accumulated good taste arriving all at once. For anyone building a serious literary fiction collection, this is a considerable shortcut.
- A Wild Ass of a Man — Barry Oakley — Barry Oakley's debut novel, a picaresque and wildly entertaining account of an ambitious young Australian's collision with the adult worlds of work, love, and self-invention.
- A Salute to the Great McCarthy — Barry Oakley — Oakley's comic novel about Australian Rules football, written with the affectionate irreverence and sharp comic timing that established him as one of the most distinctive satirists in Australian fiction.
- Let's Hear It for Prendergast — Barry Oakley — A darkly comic novel about a failed Australian playwright whose domestic and professional lives are in simultaneous freefall, written with Oakley's characteristic blend of farce and sympathy.
- Night and Silence Who is Here? — Pamela Hansford Johnson — A comedy of American academic life in which a visiting English novelist encounters the full absurdity of the creative writing industry, written with the wry intelligence and precise social observation that mark all of Johnson's best work.
- Cork Street, Next to the Hatter's — Pamela Hansford Johnson — A sharply observed novel about London's contemporary art world, in which Johnson skewers the pretensions of dealers, collectors, and artists with characteristic wit and a clear-eyed understanding of how taste and money intersect.
- Fathers and Sons — Turgenev — Turgenev's masterpiece, in which the conflict between generations is embodied in the nihilist Bazarov, set against the fading world of the Russian landed gentry in a novel of extraordinary depth and sadness.
- The Abbess of Crewe — Muriel Spark — Spark's witty and devastating roman à clef about the Watergate scandal, transposing the Nixon White House to an English convent and producing one of the funniest and most formally perfect short novels in the language.
- Strait is the Gate — André Gide — Gide's early novella about religious passion and self-denial, in which a young woman's spiritual idealism becomes a form of quiet destruction — brief, concentrated, and quietly devastating.
- The Longest Journey — E.M. Forster — The least celebrated but perhaps most personal of Forster's novels, following a Cambridge undergraduate who compromises his ideals for social respectability and pays the price — written with the urgency of a young novelist working out what he believes.
- A Clockwork Orange — Anthony Burgess — Burgess's visionary and still-startling novel about free will, violence, and state power, narrated in the invented teenage slang "Nadsat" — a book that has not aged, and shows no sign of doing so.
- The Malayan Trilogy — Anthony Burgess — Three connected novels set during the final years of British Malaya, collecting "Time for a Tiger," "The Enemy in the Blanket," and "Beds in the East" — a richly observed, linguistically dazzling portrait of a culture in the process of transforming itself forever.
- The Diary of a Madman — Nikolai Gogol — Gogol's brilliantly unsettling story of a minor government clerk whose grip on reality loosens until he believes himself to be the King of Spain — a comic and deeply sad exploration of alienation and the cruelties of bureaucratic life.
- Home of the Gentry — Turgenev — Turgenev's melancholy novel about a man who returns to his family estate after an unhappy marriage, finds love, and then loses it — written with his extraordinary gift for atmosphere and the particular Russian art of beautiful regret.
- Rabbit is Rich — John Updike — The third Rabbit novel, in which Harry Angstrom has finally made a comfortable life for himself but finds comfort less satisfying than ambition — a Pulitzer Prize-winning portrait of middle-aged America at its most prosperous and most empty.
- Jude the Obscure — Thomas Hardy — Hardy's last and bleakest novel, in which a stonemason's dreams of education and love are systematically destroyed by class, convention, and bad luck — the savage indictment of Victorian society that caused such outrage Hardy never wrote another novel.
- A Room with a View — E.M. Forster — One of Forster's most joyful and accessible novels, in which a young Englishwoman's liberation — emotional, intellectual, and romantic — begins with a pension in Florence and is completed in the Surrey countryside.
- The Death of the Heart — Elizabeth Bowen — Bowen's finest novel, in which sixteen-year-old Portia discovers the gap between the emotional world she has imagined and the adult world of calculation and performance surrounding her — written in prose of extraordinary precision and feeling.
- The Adventures of Huckleberry Finn — Mark Twain — Twain's immortal river novel, in which Huck and the escaped slave Jim drift down the Mississippi and America's great moral contradictions — freedom and slavery, innocence and complicity — are held up to the light with deadpan compassion.
- Howards End — E.M. Forster — Forster's most ambitious novel, in which the competing values of culture, commerce, and property play out across two families, building to one of the most morally complex climaxes in English fiction.
- Where Angels Fear to Tread — E.M. Forster — Forster's first novel, in which an impulsive English widow's Italian marriage sets off a chain of interference, self-deception, and tragedy that reveals exactly what the author thought was wrong with Edwardian England.
- The Ordeal of Gilbert Pinfold — Evelyn Waugh — Waugh's disturbing and semi-autobiographical novel about a famous novelist who suffers a breakdown at sea and begins hearing voices — at once a comedy, a horror story, and a candid act of self-examination from one of the century's most technically accomplished writers.
- The Crack-Up — F. Scott Fitzgerald — A posthumous collection of Fitzgerald's essays and autobiographical writings in which the author of Gatsby reflects with painful honesty on the collapse of his personal and creative life — required reading for anyone who wants to understand what the American dream looks like from the wreckage.