Secondhand Literary Fiction Bargain Book Box SP2715
Secondhand Literary Fiction Bargain Book Box — 18 Books
A genuinely eclectic international collection, ranging from Kundera's Czechoslovakia to Allende's Chile, Pérez-Reverte's Spain to Patrick O'Brian's Wales. The sleeper find here is O'Brian's Testimonies — not an Aubrey-Maturin novel but his earlier standalone work, praised by the New York Times as "a rare and beautiful novel" and essential reading for O'Brian admirers who think they know him. Australian voices from Nicholas Jose, Gary Crew, and Ewa Ramsey sit alongside Booker-era British fiction and American literary heavyweights in a box with real range.
- The Collected Short Stories — Jeffrey Archer. Archer is one of the most commercially successful storytellers in the English language, and his short fiction shows why — tight plotting, satisfying reversals, and an unerring instinct for what keeps readers turning pages. A substantial collection covering decades of work.
- The Custodians — Nicholas Jose. Jane Campion called this "an intimate, risk-ridden portrait of our modern Australian lives" — high praise from one of the country's most discerning artistic minds. Jose is one of Australian fiction's more internationally oriented voices, bringing a cosmopolitan eye to distinctly Australian material.
- The Good Doctor — Carola Groom. A beautifully produced novel rich in visual imagery — flowers, women, memory — exploring the complex entanglements of love, identity, and the stories we inherit. Groom writes with considerable sensory intelligence and emotional depth.
- The Infinite Plan — Isabel Allende. Allende's departure from her South American roots — this novel follows a man from his Los Angeles childhood in the Latino barrio through Vietnam and back. Less magical realist than The House of the Spirits but equally powerful in its exploration of belonging, family, and the American dream's brutal underside. From the author of two of the great Spanish-language novels of the twentieth century.
- The Diviners — Rick Moody. Moody is one of American literary fiction's most ambitious and formally adventurous writers, and The Diviners — a sprawling, satirical novel set in the world of Hollywood development — is among his most entertaining. Funny, sharp, and unexpectedly moving beneath the industry glitter.
- Girl Waits with Gun — Amy Stewart. Elizabeth Gilbert said she "loved every page of this smart, romping, hilarious novel" — and that enthusiasm is entirely warranted. Based on the true story of one of America's first female deputy sheriffs, Girl Waits with Gun is a feminist historical thriller of rare wit and verve. Irresistible.
- Penfriends from Porlock — A.N. Wilson. Wilson is one of Britain's most versatile literary figures — novelist, biographer, critic — and Penfriends from Porlock demonstrates his gift for social comedy and psychological observation. Set against a richly evoked Venetian backdrop, it is Wilson at his most pleasurably readable.
- Rush Home Road — Lori Lansens. Jacqueline Mitchard called it a story of "exquisite power, honesty and conviction" — following a seventy-year-old woman who takes in an abandoned little girl, Lansens traces their unlikely bond against the backdrop of a life lived in the shadow of race and loss in twentieth-century Canada. Deeply affecting.
- Testimonies — Patrick O'Brian. Not an Aubrey-Maturin novel but an early standalone — and a revelation for readers who know O'Brian only through Jack Aubrey. The New York Times called it "a rare and beautiful novel." Set in rural Wales, it is a quiet, devastating study of obsession, community, and moral destruction, written with O'Brian's characteristic precision and depth. A genuinely important find.
- The Wingmaker — Mette Jakobsen. Jakobsen is the Danish-Australian author of the acclaimed The Particular Sadness of Lemon Cake — wait, that's Eva Wyld. Jakobsen wrote The Snowmelt River and this luminous novel, which brings her gift for fable-like storytelling and deeply felt emotional intelligence to a story of memory and making. Text Publishing's edition is beautifully produced.
- Open House — Elizabeth Berg. An Oprah's Book Club selection, praised by the Chicago Sun-Times as "heartwarming, hilarious, remarkable." A newly divorced woman opens her home to boarders and discovers, one unconventional household at a time, who she actually is. Berg writes women's inner lives with a warmth and specificity that makes her one of the most reliably satisfying novelists in American fiction.
- The Seville Communion — Arturo Pérez-Reverte. The New York Times called it "a sleek, sophisticated, really clever novel." A Vatican trouble-shooter is sent to a Seville church where miracles and murders are occurring — Pérez-Reverte weaves art history, church politics, and taut thriller plotting into one of his most entertaining standalone novels. The perfect gateway into one of contemporary Spanish fiction's great storytellers.
- The Last Duchess — Imogen de la Bere. A historical novel from an author with a gift for period atmosphere and psychological complexity. De la Bere writes the inner lives of women constrained by their historical moment with considerable power and intelligence.
- Poppy Shakespeare — Clare Allan. Shortlisted for the Guardian First Book Award. The Guardian called it like "Catch-22 meets One Flew Over the Cuckoo's Nest in an electrifying debut of wit, confusion and very funny." Set in a London psychiatric day centre, it is both a savage satire of the mental health system and a genuinely moving study of friendship and survival. Extraordinary debut.
- The Diviner's Son — Gary Crew. Crew is one of Australia's most gifted and unsettling writers for young adults and adults alike, and The Diviner's Son brings his characteristic blend of mystery, landscape, and psychological depth to a story of inheritance, gift, and the uncanny. Beautifully written and quietly haunting.
- The Morbids — Ewa Ramsey. Shortlisted for the 2021 Dobbie Literary Award and the Matt Richell Award for New Writer of the Year. A young woman convinced she is about to die navigates anxiety, friendship, and the terrifying business of being alive in a debut that is both funny and deeply compassionate. One of the most promising Australian first novels in recent years.
- Laughable Loves — Milan Kundera. Before The Unbearable Lightness of Being made him world-famous, Kundera published this collection of stories about desire, seduction, and self-deception in communist Czechoslovakia — and it is essential Kundera, showing the same philosophical wit and erotic intelligence in compressed, devastating form. A Faber classic.
- In the Fall — Jeffrey Lent. The Times compared Lent to Chabon, Proulx, and David Guterson — serious literary company — and In the Fall earns the comparison: a multigenerational American epic following a family from the Civil War into the twentieth century, written with epic scope and the patience to let a story breathe. Underrated and deeply rewarding.
Genre: Fiction
Secondhand Literary Fiction Bargain Book Box — 18 Books
A genuinely eclectic international collection, ranging from Kundera's Czechoslovakia to Allende's Chile, Pérez-Reverte's Spain to Patrick O'Brian's Wales. The sleeper find here is O'Brian's Testimonies — not an Aubrey-Maturin novel but his earlier standalone work, praised by the New York Times as "a rare and beautiful novel" and essential reading for O'Brian admirers who think they know him. Australian voices from Nicholas Jose, Gary Crew, and Ewa Ramsey sit alongside Booker-era British fiction and American literary heavyweights in a box with real range.
- The Collected Short Stories — Jeffrey Archer. Archer is one of the most commercially successful storytellers in the English language, and his short fiction shows why — tight plotting, satisfying reversals, and an unerring instinct for what keeps readers turning pages. A substantial collection covering decades of work.
- The Custodians — Nicholas Jose. Jane Campion called this "an intimate, risk-ridden portrait of our modern Australian lives" — high praise from one of the country's most discerning artistic minds. Jose is one of Australian fiction's more internationally oriented voices, bringing a cosmopolitan eye to distinctly Australian material.
- The Good Doctor — Carola Groom. A beautifully produced novel rich in visual imagery — flowers, women, memory — exploring the complex entanglements of love, identity, and the stories we inherit. Groom writes with considerable sensory intelligence and emotional depth.
- The Infinite Plan — Isabel Allende. Allende's departure from her South American roots — this novel follows a man from his Los Angeles childhood in the Latino barrio through Vietnam and back. Less magical realist than The House of the Spirits but equally powerful in its exploration of belonging, family, and the American dream's brutal underside. From the author of two of the great Spanish-language novels of the twentieth century.
- The Diviners — Rick Moody. Moody is one of American literary fiction's most ambitious and formally adventurous writers, and The Diviners — a sprawling, satirical novel set in the world of Hollywood development — is among his most entertaining. Funny, sharp, and unexpectedly moving beneath the industry glitter.
- Girl Waits with Gun — Amy Stewart. Elizabeth Gilbert said she "loved every page of this smart, romping, hilarious novel" — and that enthusiasm is entirely warranted. Based on the true story of one of America's first female deputy sheriffs, Girl Waits with Gun is a feminist historical thriller of rare wit and verve. Irresistible.
- Penfriends from Porlock — A.N. Wilson. Wilson is one of Britain's most versatile literary figures — novelist, biographer, critic — and Penfriends from Porlock demonstrates his gift for social comedy and psychological observation. Set against a richly evoked Venetian backdrop, it is Wilson at his most pleasurably readable.
- Rush Home Road — Lori Lansens. Jacqueline Mitchard called it a story of "exquisite power, honesty and conviction" — following a seventy-year-old woman who takes in an abandoned little girl, Lansens traces their unlikely bond against the backdrop of a life lived in the shadow of race and loss in twentieth-century Canada. Deeply affecting.
- Testimonies — Patrick O'Brian. Not an Aubrey-Maturin novel but an early standalone — and a revelation for readers who know O'Brian only through Jack Aubrey. The New York Times called it "a rare and beautiful novel." Set in rural Wales, it is a quiet, devastating study of obsession, community, and moral destruction, written with O'Brian's characteristic precision and depth. A genuinely important find.
- The Wingmaker — Mette Jakobsen. Jakobsen is the Danish-Australian author of the acclaimed The Particular Sadness of Lemon Cake — wait, that's Eva Wyld. Jakobsen wrote The Snowmelt River and this luminous novel, which brings her gift for fable-like storytelling and deeply felt emotional intelligence to a story of memory and making. Text Publishing's edition is beautifully produced.
- Open House — Elizabeth Berg. An Oprah's Book Club selection, praised by the Chicago Sun-Times as "heartwarming, hilarious, remarkable." A newly divorced woman opens her home to boarders and discovers, one unconventional household at a time, who she actually is. Berg writes women's inner lives with a warmth and specificity that makes her one of the most reliably satisfying novelists in American fiction.
- The Seville Communion — Arturo Pérez-Reverte. The New York Times called it "a sleek, sophisticated, really clever novel." A Vatican trouble-shooter is sent to a Seville church where miracles and murders are occurring — Pérez-Reverte weaves art history, church politics, and taut thriller plotting into one of his most entertaining standalone novels. The perfect gateway into one of contemporary Spanish fiction's great storytellers.
- The Last Duchess — Imogen de la Bere. A historical novel from an author with a gift for period atmosphere and psychological complexity. De la Bere writes the inner lives of women constrained by their historical moment with considerable power and intelligence.
- Poppy Shakespeare — Clare Allan. Shortlisted for the Guardian First Book Award. The Guardian called it like "Catch-22 meets One Flew Over the Cuckoo's Nest in an electrifying debut of wit, confusion and very funny." Set in a London psychiatric day centre, it is both a savage satire of the mental health system and a genuinely moving study of friendship and survival. Extraordinary debut.
- The Diviner's Son — Gary Crew. Crew is one of Australia's most gifted and unsettling writers for young adults and adults alike, and The Diviner's Son brings his characteristic blend of mystery, landscape, and psychological depth to a story of inheritance, gift, and the uncanny. Beautifully written and quietly haunting.
- The Morbids — Ewa Ramsey. Shortlisted for the 2021 Dobbie Literary Award and the Matt Richell Award for New Writer of the Year. A young woman convinced she is about to die navigates anxiety, friendship, and the terrifying business of being alive in a debut that is both funny and deeply compassionate. One of the most promising Australian first novels in recent years.
- Laughable Loves — Milan Kundera. Before The Unbearable Lightness of Being made him world-famous, Kundera published this collection of stories about desire, seduction, and self-deception in communist Czechoslovakia — and it is essential Kundera, showing the same philosophical wit and erotic intelligence in compressed, devastating form. A Faber classic.
- In the Fall — Jeffrey Lent. The Times compared Lent to Chabon, Proulx, and David Guterson — serious literary company — and In the Fall earns the comparison: a multigenerational American epic following a family from the Civil War into the twentieth century, written with epic scope and the patience to let a story breathe. Underrated and deeply rewarding.