Secondhand Literary Fiction Bargain Book Box SP2719
Secondhand Literary Fiction Bargain Book Box — 19 Books
Two Helen Dunmore novels anchor a box that ranges impressively across continents and registers — from Isabel Allende's California epic to Patrick Flanery's post-apartheid South Africa, from Brian Moore's Algeria to Matthew Weiner's disquieting New York suburb, from Carlos Fuentes's century-spanning Mexican fresco to Catherine Chanter's rain-haunted English farm. The AS Byatt, Barbara Trapido, Stephen King, and Khaled Hosseini endorsements scattered across these covers are a reliable guide to the quality within.
- Helen Dunmore — With Your Crooked Heart Two sisters and the dangerous man who moves between them — Dunmore's psychological precision and her gift for menace and tenderness in equal measure making this one of her most gripping novels. Her first of two appearances in this box.
- Nafisa Haji — The Writing on My Forehead A British-Pakistani woman navigating identity, family, and the pull of two worlds — with Khaled Hosseini's warm endorsement: "a moving meditation on the meaning of family, tradition, and the ties that bind." Beautifully constructed, emotionally intelligent fiction.
- Isabel Allende — The Infinite Plan Allende's most American novel — following a man from a California childhood through Vietnam and back, exploring the myths and broken promises of the American dream with the same epic sweep she brought to the stories of South America.
- Sue Gee — Reading in Bed "A storyteller utterly at ease with her craft," wrote Penelope Fitzgerald — and this novel about a woman retreating into books following loss shows exactly the quality Fitzgerald admired: warmth, precision, and a deep understanding of how we console ourselves.
- Catherine Chanter — The Well A family moves to a farm blessed with rain while the rest of England bakes in drought. Something is very wrong. Chanter's debut is atmospheric, unsettling, and genuinely original — part psychological thriller, part parable, entirely absorbing.
- Liza Klaussmann — Tigers in Red Weather Two families, Martha's Vineyard, the decades from the Second World War to the 1970s — Klaussmann's debut builds its American story with the architectural confidence of a writer twice her age, and the title's Stevens-inflected elegance is matched by what's inside.
- Elizabeth Smither — The Sea Between Us Smither is one of New Zealand's most distinguished poets and novelists — her prose carrying the same precision and emotional compression as her verse. A quietly powerful piece of literary fiction.
- Helen Dunmore — Mourning Ruby Dunmore's novel about the loss of a child and the grief that follows — described as "heartbreaking, luminous and profound" by the Independent on Sunday. Among her most emotionally demanding and beautifully achieved works.
- Sarah Hopkins — The Crimes of Billy Fish Hopkins is an Australian novelist and this ABC Fiction title takes a sharp and unsentimental look at the crimes — large and small, committed and committed against — that shape the lives of ordinary people.
- Patrick Flanery — Absolution Three major reviews on the cover speak for themselves: "explosively powerful... exceptional" (Independent); "consistently first class" (Daily Telegraph); "wonderfully constructed" (AS Byatt). A literary thriller about a South African author and the biographer trying to understand her — set in the complicated moral terrain of post-apartheid South Africa. A remarkable debut.
- David Mamet — The Village The celebrated playwright of Glengarry Glen Ross and American Buffalo turns to fiction — a literary novel set in a small New England community, carrying all of Mamet's ear for language and his preoccupation with masculinity, work, and moral compromise.
- Robert Alexander — Rasputin's Daughter Alexander — author of the acclaimed The Kitchen Boy, about the murder of the Romanovs — returns to the same historical world here, this time through the eyes of Rasputin's daughter as she watches events spiral toward catastrophe.
- Olivia Glazebrook — The Trouble with Alice "Quite deliciously funny and sad," wrote Barbara Trapido — a precision-calibrated endorsement for a novel about a woman whose relationship to reality is more complicated than anyone around her realises. Sharp, dark, and very readable.
- Carlos Fuentes — The Years with Laura Diaz Fuentes was one of the supreme figures of Latin American literature, and this sweeping novel — following a Mexican woman from the Revolution through to the end of the twentieth century — is one of his most ambitious works. "Laura Diaz is destined to become as memorable as Madame Bovary," wrote the Washington Post.
- Joanna Trollope — Other People's Children Trollope at her most diagnostically precise — examining the complex loyalties, resentments, and unexpected tenderness of stepfamily life with the social intelligence and compassionate realism that has made her one of Britain's most trusted novelists.
- Tobias Hill — The Hidden Hill — poet and novelist — brings his literary sensibility to an archaeological thriller set in Greece: the layers of the past literally and figuratively present as his protagonist digs into both the earth and a buried mystery.
- Brian Moore — The Magician's Wife Moore was one of the great Irish-Canadian novelists — The Lonely Passion of Judith Hearne, Black Robe — and this late masterpiece follows a French conjuror's wife into Napoleon III's Algeria, where her husband's tricks are to be deployed as political theatre. Precise, tense, and morally serious.
- Matthew Weiner — Heather, the Totality The creator of Mad Men turns to fiction with this brief, intense, finely calibrated novel about a family and the threat that encircles them. Stephen King's endorsement — "one of the best of the best... you can't ask for more" — is not given lightly.
- Stephen Dobyns — The Burn Palace A small Rhode Island town, a series of disturbing events, and the darkness gathering beneath the ordinary surface of community life. Dobyns is a master of American literary crime fiction and this is among his most accomplished works — King's enthusiasm entirely earned.
Genre: Fiction
Secondhand Literary Fiction Bargain Book Box — 19 Books
Two Helen Dunmore novels anchor a box that ranges impressively across continents and registers — from Isabel Allende's California epic to Patrick Flanery's post-apartheid South Africa, from Brian Moore's Algeria to Matthew Weiner's disquieting New York suburb, from Carlos Fuentes's century-spanning Mexican fresco to Catherine Chanter's rain-haunted English farm. The AS Byatt, Barbara Trapido, Stephen King, and Khaled Hosseini endorsements scattered across these covers are a reliable guide to the quality within.
- Helen Dunmore — With Your Crooked Heart Two sisters and the dangerous man who moves between them — Dunmore's psychological precision and her gift for menace and tenderness in equal measure making this one of her most gripping novels. Her first of two appearances in this box.
- Nafisa Haji — The Writing on My Forehead A British-Pakistani woman navigating identity, family, and the pull of two worlds — with Khaled Hosseini's warm endorsement: "a moving meditation on the meaning of family, tradition, and the ties that bind." Beautifully constructed, emotionally intelligent fiction.
- Isabel Allende — The Infinite Plan Allende's most American novel — following a man from a California childhood through Vietnam and back, exploring the myths and broken promises of the American dream with the same epic sweep she brought to the stories of South America.
- Sue Gee — Reading in Bed "A storyteller utterly at ease with her craft," wrote Penelope Fitzgerald — and this novel about a woman retreating into books following loss shows exactly the quality Fitzgerald admired: warmth, precision, and a deep understanding of how we console ourselves.
- Catherine Chanter — The Well A family moves to a farm blessed with rain while the rest of England bakes in drought. Something is very wrong. Chanter's debut is atmospheric, unsettling, and genuinely original — part psychological thriller, part parable, entirely absorbing.
- Liza Klaussmann — Tigers in Red Weather Two families, Martha's Vineyard, the decades from the Second World War to the 1970s — Klaussmann's debut builds its American story with the architectural confidence of a writer twice her age, and the title's Stevens-inflected elegance is matched by what's inside.
- Elizabeth Smither — The Sea Between Us Smither is one of New Zealand's most distinguished poets and novelists — her prose carrying the same precision and emotional compression as her verse. A quietly powerful piece of literary fiction.
- Helen Dunmore — Mourning Ruby Dunmore's novel about the loss of a child and the grief that follows — described as "heartbreaking, luminous and profound" by the Independent on Sunday. Among her most emotionally demanding and beautifully achieved works.
- Sarah Hopkins — The Crimes of Billy Fish Hopkins is an Australian novelist and this ABC Fiction title takes a sharp and unsentimental look at the crimes — large and small, committed and committed against — that shape the lives of ordinary people.
- Patrick Flanery — Absolution Three major reviews on the cover speak for themselves: "explosively powerful... exceptional" (Independent); "consistently first class" (Daily Telegraph); "wonderfully constructed" (AS Byatt). A literary thriller about a South African author and the biographer trying to understand her — set in the complicated moral terrain of post-apartheid South Africa. A remarkable debut.
- David Mamet — The Village The celebrated playwright of Glengarry Glen Ross and American Buffalo turns to fiction — a literary novel set in a small New England community, carrying all of Mamet's ear for language and his preoccupation with masculinity, work, and moral compromise.
- Robert Alexander — Rasputin's Daughter Alexander — author of the acclaimed The Kitchen Boy, about the murder of the Romanovs — returns to the same historical world here, this time through the eyes of Rasputin's daughter as she watches events spiral toward catastrophe.
- Olivia Glazebrook — The Trouble with Alice "Quite deliciously funny and sad," wrote Barbara Trapido — a precision-calibrated endorsement for a novel about a woman whose relationship to reality is more complicated than anyone around her realises. Sharp, dark, and very readable.
- Carlos Fuentes — The Years with Laura Diaz Fuentes was one of the supreme figures of Latin American literature, and this sweeping novel — following a Mexican woman from the Revolution through to the end of the twentieth century — is one of his most ambitious works. "Laura Diaz is destined to become as memorable as Madame Bovary," wrote the Washington Post.
- Joanna Trollope — Other People's Children Trollope at her most diagnostically precise — examining the complex loyalties, resentments, and unexpected tenderness of stepfamily life with the social intelligence and compassionate realism that has made her one of Britain's most trusted novelists.
- Tobias Hill — The Hidden Hill — poet and novelist — brings his literary sensibility to an archaeological thriller set in Greece: the layers of the past literally and figuratively present as his protagonist digs into both the earth and a buried mystery.
- Brian Moore — The Magician's Wife Moore was one of the great Irish-Canadian novelists — The Lonely Passion of Judith Hearne, Black Robe — and this late masterpiece follows a French conjuror's wife into Napoleon III's Algeria, where her husband's tricks are to be deployed as political theatre. Precise, tense, and morally serious.
- Matthew Weiner — Heather, the Totality The creator of Mad Men turns to fiction with this brief, intense, finely calibrated novel about a family and the threat that encircles them. Stephen King's endorsement — "one of the best of the best... you can't ask for more" — is not given lightly.
- Stephen Dobyns — The Burn Palace A small Rhode Island town, a series of disturbing events, and the darkness gathering beneath the ordinary surface of community life. Dobyns is a master of American literary crime fiction and this is among his most accomplished works — King's enthusiasm entirely earned.