Pictures In My Life

Pictures In My Life

$20.00 AUD

Availability: in stock at our Tullamarine warehouse

Condition: SECONDHAND

This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.

Author: Dacre Smyth
Binding: Hardback
Published: Melbourne, Published by the author, 1994

Condition:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good
Markings: No markings

This tenth volume in Dacre Smyth’s celebrated series of visual memoirs presents a personal retrospective through oil painting, poetry, and prose. Pictures in My Life chronicles the artist’s journey from naval service to peacetime reflection, illustrating scenes from Melbourne, rural Australia, and overseas postings with lyrical precision. Smyth argues that painting serves as both witness and meditation, capturing the emotional resonance of landscapes, architecture, and memory. Each image is accompanied by verse and commentary that deepen its narrative, offering insight into the artist’s values, influences, and aesthetic philosophy. As an autobiographical work, it stands as a testament to Smyth’s dual legacy as a painter and chronicler of Australian heritage.

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Description

Author: Dacre Smyth
Binding: Hardback
Published: Melbourne, Published by the author, 1994

Condition:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good
Markings: No markings

This tenth volume in Dacre Smyth’s celebrated series of visual memoirs presents a personal retrospective through oil painting, poetry, and prose. Pictures in My Life chronicles the artist’s journey from naval service to peacetime reflection, illustrating scenes from Melbourne, rural Australia, and overseas postings with lyrical precision. Smyth argues that painting serves as both witness and meditation, capturing the emotional resonance of landscapes, architecture, and memory. Each image is accompanied by verse and commentary that deepen its narrative, offering insight into the artist’s values, influences, and aesthetic philosophy. As an autobiographical work, it stands as a testament to Smyth’s dual legacy as a painter and chronicler of Australian heritage.