Not As The Songs Of Other Lands: 19Th Century Australian And American Landscape Painting

Not As The Songs Of Other Lands: 19Th Century Australian And American Landscape Painting

$25.00 AUD

Availability: in stock at our Tullamarine warehouse

Condition: SECONDHAND

This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.

Author: Melbourne. Ian Potter Gallery.
Binding: Paperback
Published: Melbourne, Ian Potter Gallery, 2017

Condition:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image

This academic volume chronicles the distinct artistic movements within 19th-century Australian and American landscape painting. It uncovers the unique cultural and environmental influences that shaped these national art forms, presenting a compelling comparative analysis. The text illustrates how artists in both regions developed visual languages that diverged significantly from European traditions, reflecting their respective colonial experiences and natural grandeur. It argues for a re-evaluation of these often-overlooked contributions to global art history, detailing the stylistic innovations and thematic concerns that defined the era.

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Description

Author: Melbourne. Ian Potter Gallery.
Binding: Paperback
Published: Melbourne, Ian Potter Gallery, 2017

Condition:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image

This academic volume chronicles the distinct artistic movements within 19th-century Australian and American landscape painting. It uncovers the unique cultural and environmental influences that shaped these national art forms, presenting a compelling comparative analysis. The text illustrates how artists in both regions developed visual languages that diverged significantly from European traditions, reflecting their respective colonial experiences and natural grandeur. It argues for a re-evaluation of these often-overlooked contributions to global art history, detailing the stylistic innovations and thematic concerns that defined the era.