Brave Day Hideous Night: Autobiography 1939-1965

Brave Day Hideous Night: Autobiography 1939-1965

$25.00 AUD

Availability: in stock at our Tullamarine warehouse

Condition: SECONDHAND

This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.

Edition: 1st US ed.,

Condition remarks:
Book: Good
Jacket: Wear and tear
Pages: Good
Markings: No markings

This compelling autobiography, Brave Day Hideous Night: The Tate Gallery Years 1939-1965 Being Volume Two Of An Autobiography, chronicles a pivotal era in British art history through the eyes of a key figure. The narrative details the challenges and triumphs of managing the Tate Gallery during the tumultuous mid-20th century, offering an intimate perspective on wartime cultural preservation and post-war artistic evolution. It presents a vivid account of the personalities and politics that shaped the institution, illustrating the complex interplay between art, society, and personal conviction. Rothenstein’s prose uncovers the dedication required to champion modern art amidst shifting public tastes and institutional pressures. This volume serves as an essential record for anyone interested in the development of modern art in Britain and the life of a dedicated museum director.

Author: John Rothenstein
Format: Hardback
Published: 1967, Holt, Rinehart and Winston

Description

Edition: 1st US ed.,

Condition remarks:
Book: Good
Jacket: Wear and tear
Pages: Good
Markings: No markings

This compelling autobiography, Brave Day Hideous Night: The Tate Gallery Years 1939-1965 Being Volume Two Of An Autobiography, chronicles a pivotal era in British art history through the eyes of a key figure. The narrative details the challenges and triumphs of managing the Tate Gallery during the tumultuous mid-20th century, offering an intimate perspective on wartime cultural preservation and post-war artistic evolution. It presents a vivid account of the personalities and politics that shaped the institution, illustrating the complex interplay between art, society, and personal conviction. Rothenstein’s prose uncovers the dedication required to champion modern art amidst shifting public tastes and institutional pressures. This volume serves as an essential record for anyone interested in the development of modern art in Britain and the life of a dedicated museum director.