And Miss Carter Wore Pink: Scenes From An Edwardian Childhood
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Condition: Good. Jacket: Worn/faded, no tears. Page Condition: yellowed with signs of aging. Markings: inscription on fep. Binding: Intact. No stickers or library stamps visible.
A charming and nostalgic journey into Edwardian England, this illustrated memoir captures the warmth and vivid detail of a Lancashire childhood in the early twentieth century. Helen Bradley, celebrated for her naïve folk-art style, presents her painted recollections of childhood scenes — bustling streets, family outings, and community life — accompanied by her own enchanting narrative text. Each painting chronicles the world of young Helen and her family, anchored by the unforgettable figure of Miss Carter, rendered with gentle humour and affection. The result is a rare and intimate portrait of a vanished era, where cobbled streets, winter markets, and Sunday best attire come alive with extraordinary warmth and colour. Bradley's work stands as both a significant contribution to British folk art and a deeply personal document of Edwardian working-class life.
Author: Helen Bradley
Format: Hardback
Published: 1974, Jonathan Cape
Genre: History of arts
Condition remarks:
Condition: Good. Jacket: Worn/faded, no tears. Page Condition: yellowed with signs of aging. Markings: inscription on fep. Binding: Intact. No stickers or library stamps visible.
A charming and nostalgic journey into Edwardian England, this illustrated memoir captures the warmth and vivid detail of a Lancashire childhood in the early twentieth century. Helen Bradley, celebrated for her naïve folk-art style, presents her painted recollections of childhood scenes — bustling streets, family outings, and community life — accompanied by her own enchanting narrative text. Each painting chronicles the world of young Helen and her family, anchored by the unforgettable figure of Miss Carter, rendered with gentle humour and affection. The result is a rare and intimate portrait of a vanished era, where cobbled streets, winter markets, and Sunday best attire come alive with extraordinary warmth and colour. Bradley's work stands as both a significant contribution to British folk art and a deeply personal document of Edwardian working-class life.