Torn Posters
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Condition: NEW. Jacket: book in shrink wrap/original packaging. Page Condition: Good. Markings: No markings. Binding condition: Good.
A striking convergence of street culture, decay, and human identity — Torn Posters by Jean-Pierre Vorlet is a bold photographic exploration of the affichiste tradition, capturing the raw, fragmented beauty of torn and layered street posters. Vorlet's lens transforms urban detritus into high art, revealing the hidden narratives embedded within peeling surfaces, scratched imagery, and the accumulated visual noise of public spaces. Each photograph presents a visual archaeology of the city, where the act of tearing becomes a creative force in itself. Vorlet situates his work within a rich lineage of artists such as Raymond Hains and Jacques Villeglé, who elevated the torn poster to the status of fine art. His compositions are meticulously crafted yet carry the anarchic energy of the street, bridging the gap between controlled artistic vision and spontaneous urban chaos. The result is a body of work that challenges the viewer to reconsider what constitutes an image, and who — or what — can be called its author. Torn Posters leaves one wondering: in a world relentlessly plastering over its own past, what truths are only revealed in the tearing?
Author: Jean-Pierre Vorlet
Format: Hardback
Genre: Photography
Condition remarks:
Condition: NEW. Jacket: book in shrink wrap/original packaging. Page Condition: Good. Markings: No markings. Binding condition: Good.
A striking convergence of street culture, decay, and human identity — Torn Posters by Jean-Pierre Vorlet is a bold photographic exploration of the affichiste tradition, capturing the raw, fragmented beauty of torn and layered street posters. Vorlet's lens transforms urban detritus into high art, revealing the hidden narratives embedded within peeling surfaces, scratched imagery, and the accumulated visual noise of public spaces. Each photograph presents a visual archaeology of the city, where the act of tearing becomes a creative force in itself. Vorlet situates his work within a rich lineage of artists such as Raymond Hains and Jacques Villeglé, who elevated the torn poster to the status of fine art. His compositions are meticulously crafted yet carry the anarchic energy of the street, bridging the gap between controlled artistic vision and spontaneous urban chaos. The result is a body of work that challenges the viewer to reconsider what constitutes an image, and who — or what — can be called its author. Torn Posters leaves one wondering: in a world relentlessly plastering over its own past, what truths are only revealed in the tearing?