Completing The Picture: Women Artists And The Heidelberg Era
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
Completing the Picture: Women Artists and the Heidelberg Era is a landmark work of art historical recovery, casting long-overdue light on the female painters who worked alongside — and often in the shadow of — the celebrated male artists of the Australian Heidelberg School during the late nineteenth century. Authors Victoria Hammond and Juliet Peers meticulously chronicle the careers, struggles, and triumphs of women who picked up their brushes at a time when professional artistic ambition in a woman was considered an act of quiet defiance, presenting a richly detailed portrait of a largely overlooked generation of painters whose contributions shaped the visual identity of colonial Australia. The work argues compellingly that the story of Australian Impressionism cannot be considered complete without the inclusion of these women, whose lives are reconstructed here through archival research, exhibition records, and critical reassessment. Hammond and Peers write with scholarly authority yet accessible prose, ensuring the text resonates as much with the general reader as with the art historian. A corrective and celebratory study in equal measure, this volume leaves one wondering just how many other stories remain unfinished — and unpainted — at the edges of the official canon.
Author: Victoria Hammond And Juliet Peers
Format: Paperback
Published: 1992, Artmoves
Genre: History of arts
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
Completing the Picture: Women Artists and the Heidelberg Era is a landmark work of art historical recovery, casting long-overdue light on the female painters who worked alongside — and often in the shadow of — the celebrated male artists of the Australian Heidelberg School during the late nineteenth century. Authors Victoria Hammond and Juliet Peers meticulously chronicle the careers, struggles, and triumphs of women who picked up their brushes at a time when professional artistic ambition in a woman was considered an act of quiet defiance, presenting a richly detailed portrait of a largely overlooked generation of painters whose contributions shaped the visual identity of colonial Australia. The work argues compellingly that the story of Australian Impressionism cannot be considered complete without the inclusion of these women, whose lives are reconstructed here through archival research, exhibition records, and critical reassessment. Hammond and Peers write with scholarly authority yet accessible prose, ensuring the text resonates as much with the general reader as with the art historian. A corrective and celebratory study in equal measure, this volume leaves one wondering just how many other stories remain unfinished — and unpainted — at the edges of the official canon.