Completing The Picture: Women Artists And The Heidelberg Era
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
Hidden in plain sight for over a century, the women who painted alongside the celebrated masters of the Heidelberg School are finally brought forward in Completing the Picture: Women Artists and the Heidelberg Era, a richly researched work by Victoria Hammond and Juliet Peers. Set against the vibrant cultural landscape of late nineteenth-century Australia, this landmark study recovers the careers, struggles, and triumphs of female artists who were systematically overlooked despite their significant contributions to one of Australia's most defining artistic movements. Hammond and Peers meticulously chronicle the lives of painters such as Clara Southern, Jane Sutherland, and Iso Rae, presenting their work not as a footnote to history but as an integral chapter in the story of Australian art. Drawing on archival research, exhibition records, and critical reassessment, the authors argue persuasively that gender, rather than talent, determined which artists were enshrined in the canon and which were forgotten. The writing is both scholarly and accessible, illuminating the social and institutional forces that shaped women's participation in the arts during the Heidelberg Era with precision and authority. Completing the Picture stands as an essential corrective to the received history of Australian Impressionism — one that challenges readers to reconsider what, and who, has been left out of the frame.
Author: Victoria Hammond And Juliet Peers
Format: Paperback
Published: 1992, Artmoves
Genre: History of arts
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
Hidden in plain sight for over a century, the women who painted alongside the celebrated masters of the Heidelberg School are finally brought forward in Completing the Picture: Women Artists and the Heidelberg Era, a richly researched work by Victoria Hammond and Juliet Peers. Set against the vibrant cultural landscape of late nineteenth-century Australia, this landmark study recovers the careers, struggles, and triumphs of female artists who were systematically overlooked despite their significant contributions to one of Australia's most defining artistic movements. Hammond and Peers meticulously chronicle the lives of painters such as Clara Southern, Jane Sutherland, and Iso Rae, presenting their work not as a footnote to history but as an integral chapter in the story of Australian art. Drawing on archival research, exhibition records, and critical reassessment, the authors argue persuasively that gender, rather than talent, determined which artists were enshrined in the canon and which were forgotten. The writing is both scholarly and accessible, illuminating the social and institutional forces that shaped women's participation in the arts during the Heidelberg Era with precision and authority. Completing the Picture stands as an essential corrective to the received history of Australian Impressionism — one that challenges readers to reconsider what, and who, has been left out of the frame.