The Golden Age Of Australian Painting: Impressionism And The Heidelberg School
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: Slipcase: Worn
Pages: Good
At the end of the nineteenth century, a revolution in Australian art transformed the colonial landscape into something radical, luminous, and distinctly national — The Golden Age of Australian Painting: Impressionism and the Heidelberg School chronicles this extraordinary cultural awakening with scholarly authority and passionate precision. Alan McCulloch presents the story of the Heidelberg School, a movement led by visionary painters such as Tom Roberts, Arthur Streeton, Charles Conder, and Frederick McCubbin, who abandoned the conventions of European academic tradition to capture the raw, sun-drenched beauty of the Australian bush and its people in a style powerfully influenced by French Impressionism. McCulloch, one of Australia's most respected art critics and historians, brings both rigorous research and genuine aesthetic sensitivity to this landmark study, situating these artists within their broader social and cultural context while illustrating what made their collective achievement so historically significant. The result is an indispensable volume for anyone seeking to understand how a group of audacious painters gave Australia its first truly indigenous artistic identity — and why their legacy continues to resonate in galleries and imaginations to this day.
Author: Alan Mcculloch
Format: Hardback
Published: 1969, Lansdowne Press
Genre: Australian history
Condition remarks:
Book: Good
Jacket: Slipcase: Worn
Pages: Good
At the end of the nineteenth century, a revolution in Australian art transformed the colonial landscape into something radical, luminous, and distinctly national — The Golden Age of Australian Painting: Impressionism and the Heidelberg School chronicles this extraordinary cultural awakening with scholarly authority and passionate precision. Alan McCulloch presents the story of the Heidelberg School, a movement led by visionary painters such as Tom Roberts, Arthur Streeton, Charles Conder, and Frederick McCubbin, who abandoned the conventions of European academic tradition to capture the raw, sun-drenched beauty of the Australian bush and its people in a style powerfully influenced by French Impressionism. McCulloch, one of Australia's most respected art critics and historians, brings both rigorous research and genuine aesthetic sensitivity to this landmark study, situating these artists within their broader social and cultural context while illustrating what made their collective achievement so historically significant. The result is an indispensable volume for anyone seeking to understand how a group of audacious painters gave Australia its first truly indigenous artistic identity — and why their legacy continues to resonate in galleries and imaginations to this day.