Aboriginal And Oceanic Art
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
A richly informative survey of world art history, Aboriginal and Oceanic Art presents the visual traditions and cultural heritage of Indigenous Australian and Pacific Island peoples, spanning thousands of years of creative expression. The work details the symbolic languages embedded in bark paintings, rock art, carvings, textiles, and ceremonial objects, illustrating how these art forms serve as living records of spiritual belief, social structure, and ancestral connection. Written with scholarly authority yet accessible in tone, it situates each tradition within its geographic and cultural context, from the Dreamtime narratives of Aboriginal Australia to the intricate tattoo and weaving practices of Melanesia, Micronesia, and Polynesia. The result is a comprehensive and visually oriented reference that argues for the sophistication and enduring relevance of these artistic traditions within the broader canon of global art history.
Author: Leonard Joel
Format: Paperback
Published: 2008, Leonard Joel
Genre: History of arts
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
A richly informative survey of world art history, Aboriginal and Oceanic Art presents the visual traditions and cultural heritage of Indigenous Australian and Pacific Island peoples, spanning thousands of years of creative expression. The work details the symbolic languages embedded in bark paintings, rock art, carvings, textiles, and ceremonial objects, illustrating how these art forms serve as living records of spiritual belief, social structure, and ancestral connection. Written with scholarly authority yet accessible in tone, it situates each tradition within its geographic and cultural context, from the Dreamtime narratives of Aboriginal Australia to the intricate tattoo and weaving practices of Melanesia, Micronesia, and Polynesia. The result is a comprehensive and visually oriented reference that argues for the sophistication and enduring relevance of these artistic traditions within the broader canon of global art history.