Marxism And Art: Writings In Aesthetics And Criticism
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: N/A
Pages: Good
Markings: No markings
A landmark anthology in Marxist aesthetics and cultural theory, Marxism and Art: Writings in Aesthetics and Criticism presents a sweeping collection of primary texts that trace the development of Marxist thought as applied to art, literature, and cultural production. Edited by Berel Lang and Forrest Williams, the volume assembles writings from foundational thinkers—including Marx, Engels, Lenin, Trotsky, Lukács, and Brecht—illustrating how the materialist tradition has grappled with questions of artistic form, ideology, and the social function of creative work. The editors organize these texts with scholarly precision, providing critical frameworks that situate each contribution within the broader intellectual history of the left. The tone is rigorous and academic, yet the diversity of voices gathered here—ranging from polemical manifestos to nuanced theoretical essays—makes the collection both intellectually stimulating and historically indispensable. For students of aesthetics, cultural studies, or political philosophy, this anthology remains an authoritative resource for understanding the complex and often contentious relationship between art and revolutionary thought.
Author: Berel Lang And Forrest Williams
Format: Hardback
Published: 1972, David McKay Company, Inc.
Genre: Literary theory
Condition remarks:
Book: Good
Jacket: N/A
Pages: Good
Markings: No markings
A landmark anthology in Marxist aesthetics and cultural theory, Marxism and Art: Writings in Aesthetics and Criticism presents a sweeping collection of primary texts that trace the development of Marxist thought as applied to art, literature, and cultural production. Edited by Berel Lang and Forrest Williams, the volume assembles writings from foundational thinkers—including Marx, Engels, Lenin, Trotsky, Lukács, and Brecht—illustrating how the materialist tradition has grappled with questions of artistic form, ideology, and the social function of creative work. The editors organize these texts with scholarly precision, providing critical frameworks that situate each contribution within the broader intellectual history of the left. The tone is rigorous and academic, yet the diversity of voices gathered here—ranging from polemical manifestos to nuanced theoretical essays—makes the collection both intellectually stimulating and historically indispensable. For students of aesthetics, cultural studies, or political philosophy, this anthology remains an authoritative resource for understanding the complex and often contentious relationship between art and revolutionary thought.