Toward A Psychology Of Art: Collected Essays
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
A landmark work in the psychology of aesthetics, Toward a Psychology of Art: Collected Essays presents Rudolf Arnheim's most penetrating and rigorous thinking on the relationship between visual perception and artistic creation. Drawing on Gestalt psychology, Arnheim argues that art is not merely an emotional or cultural artifact but a deeply structured cognitive experience, governed by the same perceptual principles that shape all human understanding. Across a rich collection of essays, he illustrates how concepts such as balance, tension, expression, and form operate as fundamental forces within works of visual art, music, and literature. The tone throughout is scholarly yet accessible, combining precise analytical language with a genuine passion for the arts that makes complex theoretical ideas feel both grounded and revelatory. This essential volume remains a cornerstone text for students and scholars of art theory, psychology, and aesthetics alike.
Author: Rudolf Arnheim
Format: Paperback
Published: 1966, University of California Press, Berkeley and Los Angeles
Genre: Psychology
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
A landmark work in the psychology of aesthetics, Toward a Psychology of Art: Collected Essays presents Rudolf Arnheim's most penetrating and rigorous thinking on the relationship between visual perception and artistic creation. Drawing on Gestalt psychology, Arnheim argues that art is not merely an emotional or cultural artifact but a deeply structured cognitive experience, governed by the same perceptual principles that shape all human understanding. Across a rich collection of essays, he illustrates how concepts such as balance, tension, expression, and form operate as fundamental forces within works of visual art, music, and literature. The tone throughout is scholarly yet accessible, combining precise analytical language with a genuine passion for the arts that makes complex theoretical ideas feel both grounded and revelatory. This essential volume remains a cornerstone text for students and scholars of art theory, psychology, and aesthetics alike.