New Essays On The Psychology Of Art
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
A landmark work in the psychology of aesthetics, New Essays on the Psychology of Art presents a rich collection of theoretical and analytical writings by one of the twentieth century's most influential thinkers on art and perception. Rudolf Arnheim argues with characteristic precision and clarity that visual art is not merely a product of emotion or craft, but a deeply cognitive activity rooted in the perceptual structures of the human mind. Drawing on Gestalt psychology, the essays illuminate how artists and viewers alike organize, interpret, and respond to visual form, space, color, and movement. Written in an authoritative yet accessible tone, the work bridges the gap between scientific inquiry and humanistic appreciation, making it essential reading for artists, psychologists, and art historians. Each essay stands as a rigorous intellectual contribution, collectively building a compelling case for the inseparability of perception and artistic expression.
Author: Rudolf Arnheim
Format: Paperback
Genre: Psychology
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
A landmark work in the psychology of aesthetics, New Essays on the Psychology of Art presents a rich collection of theoretical and analytical writings by one of the twentieth century's most influential thinkers on art and perception. Rudolf Arnheim argues with characteristic precision and clarity that visual art is not merely a product of emotion or craft, but a deeply cognitive activity rooted in the perceptual structures of the human mind. Drawing on Gestalt psychology, the essays illuminate how artists and viewers alike organize, interpret, and respond to visual form, space, color, and movement. Written in an authoritative yet accessible tone, the work bridges the gap between scientific inquiry and humanistic appreciation, making it essential reading for artists, psychologists, and art historians. Each essay stands as a rigorous intellectual contribution, collectively building a compelling case for the inseparability of perception and artistic expression.