The Waning Of The Middle Ages: A Study Of The Forms Of Life, Thought And Art In France And The Netherlands In The Fourteenth And Fifteenth Centuries
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: Slipcase: Good
Pages: Good
Markings: No markings
A landmark work of cultural history, The Waning of the Middle Ages presents a richly textured portrait of life, thought, and art in France and the Netherlands during the fourteenth and fifteenth centuries. Dutch historian Johan Huizinga argues that this era was not merely a prelude to the Renaissance but rather the magnificent, melancholic twilight of a civilization in full bloom — one obsessed with death, chivalric ideals, and religious fervor. With lyrical yet scholarly prose, the work illustrates how the aristocratic and ecclesiastical cultures of the period expressed themselves through elaborate ritual, pageantry, and symbolism, revealing a society simultaneously vibrant and haunted by its own decline. Huizinga draws on art, literature, chronicles, and ceremony to reconstruct the emotional and imaginative life of the late medieval world, giving equal weight to the paintings of the Van Eyck brothers and the poetry of Eustache Deschamps. The result is a sweeping, evocative masterpiece that forever changed how historians understand the relationship between culture, emotion, and the passage of historical epochs.
Author: J. Huizinga
Format: Hardback
Published: 2000, The Folio Society
Genre: European history
Condition remarks:
Book: Good
Jacket: Slipcase: Good
Pages: Good
Markings: No markings
A landmark work of cultural history, The Waning of the Middle Ages presents a richly textured portrait of life, thought, and art in France and the Netherlands during the fourteenth and fifteenth centuries. Dutch historian Johan Huizinga argues that this era was not merely a prelude to the Renaissance but rather the magnificent, melancholic twilight of a civilization in full bloom — one obsessed with death, chivalric ideals, and religious fervor. With lyrical yet scholarly prose, the work illustrates how the aristocratic and ecclesiastical cultures of the period expressed themselves through elaborate ritual, pageantry, and symbolism, revealing a society simultaneously vibrant and haunted by its own decline. Huizinga draws on art, literature, chronicles, and ceremony to reconstruct the emotional and imaginative life of the late medieval world, giving equal weight to the paintings of the Van Eyck brothers and the poetry of Eustache Deschamps. The result is a sweeping, evocative masterpiece that forever changed how historians understand the relationship between culture, emotion, and the passage of historical epochs.