Roman And Early Christian Painting
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Condition: Good to fair. Jacket: good, worn/faded. Page Condition: Good - possible tanning. Markings: possible previous owner inscription.
A richly illustrated survey of one of Western art's foundational periods, Roman and Early Christian Painting by Gerald Gassiot-Talabot chronicles the visual culture that bridged the classical world and the rise of Christianity. The work presents a detailed examination of frescoes, murals, and decorative painting traditions from ancient Rome through the early Christian era, tracing how artistic conventions evolved as new religious and cultural forces reshaped the Mediterranean world. Gassiot-Talabot argues that these paintings are far more than historical artefacts — they are vivid documents of belief, power, and identity, illuminating the spiritual and social transformations of late antiquity. The text is authoritative yet accessible, making it an essential reference for art historians, archaeologists, and anyone captivated by the origins of Western pictorial tradition.
Author: Gerald Gassiot-Talabot
Format: Hardback
Genre: History of arts
Condition remarks:
Condition: Good to fair. Jacket: good, worn/faded. Page Condition: Good - possible tanning. Markings: possible previous owner inscription.
A richly illustrated survey of one of Western art's foundational periods, Roman and Early Christian Painting by Gerald Gassiot-Talabot chronicles the visual culture that bridged the classical world and the rise of Christianity. The work presents a detailed examination of frescoes, murals, and decorative painting traditions from ancient Rome through the early Christian era, tracing how artistic conventions evolved as new religious and cultural forces reshaped the Mediterranean world. Gassiot-Talabot argues that these paintings are far more than historical artefacts — they are vivid documents of belief, power, and identity, illuminating the spiritual and social transformations of late antiquity. The text is authoritative yet accessible, making it an essential reference for art historians, archaeologists, and anyone captivated by the origins of Western pictorial tradition.