Romanticism & Realism: The Mythology Of Nineteenth-Century Art
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Condition: Very Good. Jacket: Very good, minimal wear. Page Condition: Good. Markings: No markings visible. Binding: Firm and intact. No stickers or labels observed.
A landmark work in art history and criticism, Romanticism and Realism: The Mythology of Nineteenth-Century Art presents a sweeping reappraisal of two of the most influential movements in Western visual culture. Written by renowned scholar and pianist Charles Rosen alongside art historian Henri Zerner, the book argues that the conventional opposition between Romanticism and Realism is itself a cultural myth — one constructed and perpetuated by critics, artists, and institutions throughout the nineteenth century. With incisive intelligence and rigorous scholarship, the authors illuminate how these categories shaped not only painting and sculpture but also the broader cultural and ideological landscape of the era. Drawing on a vast range of works and critical writings, the text offers a compelling re-reading of figures such as Delacroix, Courbet, and Ingres, challenging readers to see the art of the period with fresh, critical eyes.
Author: Charles Rosen & Henri Zerner
Format: Hardback
Genre: History of arts
Condition remarks:
Condition: Very Good. Jacket: Very good, minimal wear. Page Condition: Good. Markings: No markings visible. Binding: Firm and intact. No stickers or labels observed.
A landmark work in art history and criticism, Romanticism and Realism: The Mythology of Nineteenth-Century Art presents a sweeping reappraisal of two of the most influential movements in Western visual culture. Written by renowned scholar and pianist Charles Rosen alongside art historian Henri Zerner, the book argues that the conventional opposition between Romanticism and Realism is itself a cultural myth — one constructed and perpetuated by critics, artists, and institutions throughout the nineteenth century. With incisive intelligence and rigorous scholarship, the authors illuminate how these categories shaped not only painting and sculpture but also the broader cultural and ideological landscape of the era. Drawing on a vast range of works and critical writings, the text offers a compelling re-reading of figures such as Delacroix, Courbet, and Ingres, challenging readers to see the art of the period with fresh, critical eyes.