Treasures Of Asia: Arab Painting
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Condition: Good. Jacket: Worn/faded, no tears. Page Condition: Yellowed. Markings: No visible markings.
Part of the prestigious Treasures of Asia series published by Skira, Arab Painting stands as a landmark survey of one of the world's most captivating artistic traditions. Written by Richard Ettinghausen, one of the foremost authorities on Islamic art, the work presents a sweeping panorama of Arab manuscript painting, from the early illustrated scientific texts of the 9th century through the rich courtly imagery of the medieval period. Ettinghausen argues compellingly that Arab painting represents a sophisticated and wholly distinct visual language, one shaped by a complex interplay of Hellenistic, Persian, and indigenous Arab aesthetic currents. The volume chronicles key masterworks — including celebrated bestiary illustrations, astronomical manuscripts, and narrative scenes — with authoritative commentary that illuminates their historical and cultural significance. Sumptuously illustrated in Skira's signature full-colour reproduction style, this is an essential reference for any serious student of Islamic art history.
Author: Richard Ettinghausen
Format: Hardback
Published: 1962, Skira
Genre: History of arts
Condition remarks:
Condition: Good. Jacket: Worn/faded, no tears. Page Condition: Yellowed. Markings: No visible markings.
Part of the prestigious Treasures of Asia series published by Skira, Arab Painting stands as a landmark survey of one of the world's most captivating artistic traditions. Written by Richard Ettinghausen, one of the foremost authorities on Islamic art, the work presents a sweeping panorama of Arab manuscript painting, from the early illustrated scientific texts of the 9th century through the rich courtly imagery of the medieval period. Ettinghausen argues compellingly that Arab painting represents a sophisticated and wholly distinct visual language, one shaped by a complex interplay of Hellenistic, Persian, and indigenous Arab aesthetic currents. The volume chronicles key masterworks — including celebrated bestiary illustrations, astronomical manuscripts, and narrative scenes — with authoritative commentary that illuminates their historical and cultural significance. Sumptuously illustrated in Skira's signature full-colour reproduction style, this is an essential reference for any serious student of Islamic art history.