Patrons And Painters: A Study In The Relations Between Italian Art And Society In The Age Of The Baroque
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Condition: Good to fair. Paperback. Page Condition: Good - possible tanning. Markings: possible previous owner inscription.
In the gilded courts and shadowy studios of Baroque Italy, the fate of great art was determined not by genius alone, but by the ambitions, rivalries, and whims of powerful patrons. Francis Haskell's landmark study chronicles the intricate web of relationships between Italian artists and their wealthy sponsors — from the papal families of Rome to the merchant princes of Venice — illuminating how money, politics, and personal taste shaped one of history's most spectacular cultural flowerings. With forensic precision, Haskell reconstructs the social machinery behind the masterpieces, revealing the negotiations, rivalries, and dependencies that brought Caravaggio, Bernini, and their contemporaries to prominence. This revised and enlarged edition stands as one of the most significant works of art-historical scholarship of the twentieth century, admired for its elegant prose and its insistence on grounding aesthetic achievement in social and economic reality. Haskell argues persuasively that art cannot be understood in isolation from the world that commissioned it — a thesis that transformed the discipline of art history. For anyone seeking to understand not just what Baroque art looks like, but why it exists at all, this is an indispensable and endlessly rewarding read.
Author: Francis Haskell
Format: Paperback
Published: 1980, Yale University Press
Genre: History of arts
Condition remarks:
Condition: Good to fair. Paperback. Page Condition: Good - possible tanning. Markings: possible previous owner inscription.
In the gilded courts and shadowy studios of Baroque Italy, the fate of great art was determined not by genius alone, but by the ambitions, rivalries, and whims of powerful patrons. Francis Haskell's landmark study chronicles the intricate web of relationships between Italian artists and their wealthy sponsors — from the papal families of Rome to the merchant princes of Venice — illuminating how money, politics, and personal taste shaped one of history's most spectacular cultural flowerings. With forensic precision, Haskell reconstructs the social machinery behind the masterpieces, revealing the negotiations, rivalries, and dependencies that brought Caravaggio, Bernini, and their contemporaries to prominence. This revised and enlarged edition stands as one of the most significant works of art-historical scholarship of the twentieth century, admired for its elegant prose and its insistence on grounding aesthetic achievement in social and economic reality. Haskell argues persuasively that art cannot be understood in isolation from the world that commissioned it — a thesis that transformed the discipline of art history. For anyone seeking to understand not just what Baroque art looks like, but why it exists at all, this is an indispensable and endlessly rewarding read.