Eliot Porter
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good
Few artists have captured the raw, unfiltered soul of the American wilderness with the precision and reverence of Eliot Porter, and this landmark monograph stands as the definitive testament to his extraordinary vision. A pioneering force in colour nature photography, Porter chronicles the landscapes of the American Southwest, New England, and beyond with an intimacy that transforms the act of looking into an act of feeling — his lens revealing the intricate textures of bark, feather, stone, and stream that most eyes pass over in silence. With a foreword by art historian Martha A. Sandsweiss providing essential scholarly context, this volume — published in association with the Amon Carter Museum — presents Porter's oeuvre as both a supreme artistic achievement and a passionate environmental manifesto. His photographs argue, with quiet but irresistible authority, that beauty itself is a form of activism; to see the world as Porter saw it is to understand, instinctively, why it must be protected. A volume that rewards every return visit with new detail and renewed wonder.
Author: Eliot Porter
Format: Hardback
Published: 1987, New York Graphic Society Books / Little, Brown and Company
Genre: Photography
Condition remarks:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good
Few artists have captured the raw, unfiltered soul of the American wilderness with the precision and reverence of Eliot Porter, and this landmark monograph stands as the definitive testament to his extraordinary vision. A pioneering force in colour nature photography, Porter chronicles the landscapes of the American Southwest, New England, and beyond with an intimacy that transforms the act of looking into an act of feeling — his lens revealing the intricate textures of bark, feather, stone, and stream that most eyes pass over in silence. With a foreword by art historian Martha A. Sandsweiss providing essential scholarly context, this volume — published in association with the Amon Carter Museum — presents Porter's oeuvre as both a supreme artistic achievement and a passionate environmental manifesto. His photographs argue, with quiet but irresistible authority, that beauty itself is a form of activism; to see the world as Porter saw it is to understand, instinctively, why it must be protected. A volume that rewards every return visit with new detail and renewed wonder.