John Perceval: Painting Down The Bay
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
Few Australian artists captured the raw, shimmering beauty of coastal life with the visceral intensity of John Perceval, and John Perceval: Painting Down the Bay stands as a vivid testament to that singular vision. This exhibition catalogue chronicles Perceval's immersive engagement with Port Phillip Bay, presenting a rich body of work in which tidal flats, weathered boats, and salt-bleached shorelines pulse with an almost feverish energy. Curated by Rodney James for the Mornington Peninsula Regional Gallery, the publication documents a series of paintings that reveal the artist at his most instinctive and unguarded, translating the restless movement of water and light into bold, gestural strokes. Perceval, a towering figure of the Heide Circle and a central voice in mid-twentieth-century Australian modernism, brought to his bay paintings the same fierce emotionalism that defined his celebrated ceramic angels and figurative works. His style — impastoed, urgent, and deeply personal — resists the picturesque in favour of something altogether more elemental, situating the everyday coastal environment within a grand painterly tradition. For collectors, scholars, and lovers of Australian art, this catalogue raises a compelling question: what does it mean to truly *see* a place, and can a landscape ever be fully possessed by paint?
Author: John Perceval
Format: Paperback
Genre: History of arts
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
Few Australian artists captured the raw, shimmering beauty of coastal life with the visceral intensity of John Perceval, and John Perceval: Painting Down the Bay stands as a vivid testament to that singular vision. This exhibition catalogue chronicles Perceval's immersive engagement with Port Phillip Bay, presenting a rich body of work in which tidal flats, weathered boats, and salt-bleached shorelines pulse with an almost feverish energy. Curated by Rodney James for the Mornington Peninsula Regional Gallery, the publication documents a series of paintings that reveal the artist at his most instinctive and unguarded, translating the restless movement of water and light into bold, gestural strokes. Perceval, a towering figure of the Heide Circle and a central voice in mid-twentieth-century Australian modernism, brought to his bay paintings the same fierce emotionalism that defined his celebrated ceramic angels and figurative works. His style — impastoed, urgent, and deeply personal — resists the picturesque in favour of something altogether more elemental, situating the everyday coastal environment within a grand painterly tradition. For collectors, scholars, and lovers of Australian art, this catalogue raises a compelling question: what does it mean to truly *see* a place, and can a landscape ever be fully possessed by paint?