Recollections: Mainly Of Artists And Writers
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Very good
Jacket: Very good
Pages: Good
Geoffrey Grigson — poet, critic, and one of the twentieth century's most formidably opinionated literary figures — presents in Recollections: Mainly of Artists and Writers an intimate and unsparing portrait of a cultural world now largely vanished. With the sharp eye of a man who was present at the creation of so much of modern British literature and art, Grigson chronicles his personal encounters with a dazzling cast of figures: painters, poets, and prose writers who shaped the aesthetic landscape of the mid-twentieth century. His prose crackles with anecdote and judgment, offering not mere nostalgia but a rigorous and often irreverent reassessment of the figures he knew. What elevates these recollections beyond mere memoir is Grigson's refusal to sentimentalise; his portraits are etched with the same astringent clarity that defined his editorial work on the seminal journal New Verse. As the founder of that influential publication, he occupied a unique vantage point from which to observe W.H. Auden, Dylan Thomas, and a host of their contemporaries up close — and he is not shy about rendering his verdicts. For any reader with a serious interest in the literary and artistic culture of Britain between the wars and beyond, this volume is an essential and electrifying document.
Author: Geoffrey Grigson
Format: Hardback
Published: 1984, Chatto & Windus
Genre: Essays
Condition remarks:
Book: Very good
Jacket: Very good
Pages: Good
Geoffrey Grigson — poet, critic, and one of the twentieth century's most formidably opinionated literary figures — presents in Recollections: Mainly of Artists and Writers an intimate and unsparing portrait of a cultural world now largely vanished. With the sharp eye of a man who was present at the creation of so much of modern British literature and art, Grigson chronicles his personal encounters with a dazzling cast of figures: painters, poets, and prose writers who shaped the aesthetic landscape of the mid-twentieth century. His prose crackles with anecdote and judgment, offering not mere nostalgia but a rigorous and often irreverent reassessment of the figures he knew. What elevates these recollections beyond mere memoir is Grigson's refusal to sentimentalise; his portraits are etched with the same astringent clarity that defined his editorial work on the seminal journal New Verse. As the founder of that influential publication, he occupied a unique vantage point from which to observe W.H. Auden, Dylan Thomas, and a host of their contemporaries up close — and he is not shy about rendering his verdicts. For any reader with a serious interest in the literary and artistic culture of Britain between the wars and beyond, this volume is an essential and electrifying document.