Present Tense: Anna Schwartz Gallery And Thirty-Five Years Of Contemporary Australian Art
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: N/A
Pages: Good
Present Tense is an authoritative and richly illustrated chronicle of one of Australia's most influential contemporary art institutions — the Anna Schwartz Gallery — tracing its remarkable thirty-five-year journey through the evolving landscape of Australian art. Doug Hall presents an insider's account of the gallery's pivotal role in championing bold, boundary-pushing artists, documenting the relationships, exhibitions, and cultural moments that have shaped the nation's contemporary art scene from the late twentieth century into the twenty-first. The narrative weaves together institutional history with intimate portraits of the artists and movements that defined an era, illuminating how a single gallery can act as both mirror and engine of cultural change. Hall writes with the precision of a curator and the warmth of a true advocate, producing a work that is as much a love letter to the art of risk-taking as it is a meticulously researched historical document. The book stands as an essential reference for collectors, scholars, and art enthusiasts seeking to understand the forces that have propelled Australian contemporary art onto the world stage — leaving the reader to wonder what the next chapter of this storied institution might yet reveal.
Author: Doug Hall
Format: Hardback
Published: 2019, Black Inc.
Genre: History of arts
Condition remarks:
Book: Good
Jacket: N/A
Pages: Good
Present Tense is an authoritative and richly illustrated chronicle of one of Australia's most influential contemporary art institutions — the Anna Schwartz Gallery — tracing its remarkable thirty-five-year journey through the evolving landscape of Australian art. Doug Hall presents an insider's account of the gallery's pivotal role in championing bold, boundary-pushing artists, documenting the relationships, exhibitions, and cultural moments that have shaped the nation's contemporary art scene from the late twentieth century into the twenty-first. The narrative weaves together institutional history with intimate portraits of the artists and movements that defined an era, illuminating how a single gallery can act as both mirror and engine of cultural change. Hall writes with the precision of a curator and the warmth of a true advocate, producing a work that is as much a love letter to the art of risk-taking as it is a meticulously researched historical document. The book stands as an essential reference for collectors, scholars, and art enthusiasts seeking to understand the forces that have propelled Australian contemporary art onto the world stage — leaving the reader to wonder what the next chapter of this storied institution might yet reveal.