Dictionary Of The Australian Theatre 1788-1914
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: Worn/faded, no tears
Pages: Tanning and foxing
From the first convict performances on the shores of Sydney Cove in 1788 to the rich theatrical tapestry of the Federation era, Dictionary of the Australian Theatre 1788-1914 presents a comprehensive and authoritative record of over a century of Australian stage history. Eric Irvin's meticulous work chronicles the actors, playwrights, managers, venues, and productions that shaped a uniquely antipodean dramatic tradition, offering an indispensable A-to-Z reference for anyone seeking to understand the cultural forces that forged a nation's identity through performance. Irvin brings scholarly rigour and an evident passion for theatrical heritage to this landmark reference work, drawing on exhaustive primary research to illuminate figures and events long obscured by time. The Dictionary stands as a foundational text in Australian cultural studies, arguing implicitly that the stage was not a mere colonial imitation of British theatre but a vibrant, evolving art form in its own right. For historians, theatre practitioners, and cultural enthusiasts alike, this volume opens a fascinating window onto a world of gaslit stages and pioneering performers — leaving the reader to wonder just how many extraordinary stories still await rediscovery in the wings.
Author: Eric Irvin
Format: Hardback
Published: 1985, Hale & Iremonger
Genre: Preforming Arts
Condition remarks:
Book: Good
Jacket: Worn/faded, no tears
Pages: Tanning and foxing
From the first convict performances on the shores of Sydney Cove in 1788 to the rich theatrical tapestry of the Federation era, Dictionary of the Australian Theatre 1788-1914 presents a comprehensive and authoritative record of over a century of Australian stage history. Eric Irvin's meticulous work chronicles the actors, playwrights, managers, venues, and productions that shaped a uniquely antipodean dramatic tradition, offering an indispensable A-to-Z reference for anyone seeking to understand the cultural forces that forged a nation's identity through performance. Irvin brings scholarly rigour and an evident passion for theatrical heritage to this landmark reference work, drawing on exhaustive primary research to illuminate figures and events long obscured by time. The Dictionary stands as a foundational text in Australian cultural studies, arguing implicitly that the stage was not a mere colonial imitation of British theatre but a vibrant, evolving art form in its own right. For historians, theatre practitioners, and cultural enthusiasts alike, this volume opens a fascinating window onto a world of gaslit stages and pioneering performers — leaving the reader to wonder just how many extraordinary stories still await rediscovery in the wings.