Twentieth Century Interpretations Of The Beggar's Opera
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
One of the most subversive masterpieces in the history of English theatre, John Gay's The Beggar's Opera has captivated, provoked, and delighted audiences since its triumphant debut in 1728 — and this landmark critical anthology, edited by Yvonne Noble, brings together the finest scholarly minds of the twentieth century to illuminate why. This Twentieth Century Interpretations volume presents a curated collection of critical essays by leading academics and literary figures, including Bertrand H. Bronson, Ian Donaldson, William Empson, Roger Fiske, Eric Kurtz, John Loftis, Maynard Mack, Harold G. Maus, and Martin Price, each approaching Gay's work from a distinct and revealing angle. A rich tapestry of satire, politics, and ballad music, The Beggar's Opera skewers the corrupt social order of Georgian England through the exploits of the roguish highwayman Macheath — and these essays chronicle the enduring cultural resonance of that radical vision. The contributors argue, dissect, and reframe Gay's theatrical innovations, from his parodic assault on Italian opera to his biting critique of political corruption under Robert Walpole, illustrating the work's remarkable capacity to speak across centuries. For students, scholars, and devoted theatre enthusiasts alike, this volume is an indispensable gateway into a work that refuses, even now, to be tamed.
Author: Yvonne Noble (Editor)
Format: Paperback
Genre: Anthology
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
One of the most subversive masterpieces in the history of English theatre, John Gay's The Beggar's Opera has captivated, provoked, and delighted audiences since its triumphant debut in 1728 — and this landmark critical anthology, edited by Yvonne Noble, brings together the finest scholarly minds of the twentieth century to illuminate why. This Twentieth Century Interpretations volume presents a curated collection of critical essays by leading academics and literary figures, including Bertrand H. Bronson, Ian Donaldson, William Empson, Roger Fiske, Eric Kurtz, John Loftis, Maynard Mack, Harold G. Maus, and Martin Price, each approaching Gay's work from a distinct and revealing angle. A rich tapestry of satire, politics, and ballad music, The Beggar's Opera skewers the corrupt social order of Georgian England through the exploits of the roguish highwayman Macheath — and these essays chronicle the enduring cultural resonance of that radical vision. The contributors argue, dissect, and reframe Gay's theatrical innovations, from his parodic assault on Italian opera to his biting critique of political corruption under Robert Walpole, illustrating the work's remarkable capacity to speak across centuries. For students, scholars, and devoted theatre enthusiasts alike, this volume is an indispensable gateway into a work that refuses, even now, to be tamed.