Tom Roberts
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: N/A
Pages: Good
Few painters have captured the soul of a nation with such vivid authenticity as Tom Roberts, the founding father of the Heidelberg School and the defining voice of Australian Impressionism. This landmark catalogue, selected and co-ordinated by Ron Radford, presents a comprehensive survey of Roberts' celebrated body of work, chronicling his masterful ability to translate the raw, sunlit grandeur of the Australian bush, its shearers, drovers, and settlers, into images of enduring national myth. From the iconic pastoral tableaux of Shearing the Rams to his sensitive portraiture and plein-air landscapes, the collection illustrates the full breadth of an artist who transformed colonial observation into fine art. Produced in association with the Art Gallery of South Australia and Art Exhibitions Australia, this volume stands as an essential scholarly resource for anyone seeking to understand the foundations of a distinctly Australian artistic identity. Radford's curatorial vision argues for Roberts' central place not merely in the history of Australian art, but in the broader international conversation about late 19th-century Impressionism. The quality of reproduction and depth of accompanying analysis make this a definitive reference — one that leaves the reader questioning just how much of Australia's national character was quietly invented on the painter's canvas.
Author: Ron Radford
Format: Hardback
Genre: History of arts
Condition remarks:
Book: Good
Jacket: N/A
Pages: Good
Few painters have captured the soul of a nation with such vivid authenticity as Tom Roberts, the founding father of the Heidelberg School and the defining voice of Australian Impressionism. This landmark catalogue, selected and co-ordinated by Ron Radford, presents a comprehensive survey of Roberts' celebrated body of work, chronicling his masterful ability to translate the raw, sunlit grandeur of the Australian bush, its shearers, drovers, and settlers, into images of enduring national myth. From the iconic pastoral tableaux of Shearing the Rams to his sensitive portraiture and plein-air landscapes, the collection illustrates the full breadth of an artist who transformed colonial observation into fine art. Produced in association with the Art Gallery of South Australia and Art Exhibitions Australia, this volume stands as an essential scholarly resource for anyone seeking to understand the foundations of a distinctly Australian artistic identity. Radford's curatorial vision argues for Roberts' central place not merely in the history of Australian art, but in the broader international conversation about late 19th-century Impressionism. The quality of reproduction and depth of accompanying analysis make this a definitive reference — one that leaves the reader questioning just how much of Australia's national character was quietly invented on the painter's canvas.