Crossing Cultures: Conflict, Migration And Convergence
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: N/A
Pages: Good
What happens when cultures collide, migrate, and ultimately converge across centuries and continents? Crossing Cultures: Conflict, Migration and Convergence presents the proceedings of the 32nd International Congress in the History of Art (CIHA), held at the University of Melbourne in January 2008 — a landmark global gathering of art historians united by one of the discipline's most urgent questions: how does art survive, transform, and transmit meaning across cultural borders? The volume chronicles an expansive range of scholarly contributions, from ancient cross-cultural exchange to the complexities of postcolonial artistic identity, all framed within a rigorous academic context that reflects the Congress's prestige and international scope. Edited by Professor Jaynie Anderson, President of CIHA, this authoritative anthology draws together leading voices in art history from across the globe, weaving a rich, multidisciplinary tapestry that argues for art as both a product and a driver of cultural encounter. The collection illustrates how migration — whether of peoples, objects, or ideas — reshapes artistic traditions in ways that are at once disruptive and generative. Published by The Miegunyah Press, it stands as an essential scholarly resource for anyone seeking to understand the forces that have shaped the world's visual heritage. The question it leaves unanswered — perhaps deliberately — is whether convergence ever truly erases the original conflict.
Author: Jaynie Anderson
Format: Hardback
Published: 2009, The Miegunyah Press
Genre: History of arts
Condition remarks:
Book: Good
Jacket: N/A
Pages: Good
What happens when cultures collide, migrate, and ultimately converge across centuries and continents? Crossing Cultures: Conflict, Migration and Convergence presents the proceedings of the 32nd International Congress in the History of Art (CIHA), held at the University of Melbourne in January 2008 — a landmark global gathering of art historians united by one of the discipline's most urgent questions: how does art survive, transform, and transmit meaning across cultural borders? The volume chronicles an expansive range of scholarly contributions, from ancient cross-cultural exchange to the complexities of postcolonial artistic identity, all framed within a rigorous academic context that reflects the Congress's prestige and international scope. Edited by Professor Jaynie Anderson, President of CIHA, this authoritative anthology draws together leading voices in art history from across the globe, weaving a rich, multidisciplinary tapestry that argues for art as both a product and a driver of cultural encounter. The collection illustrates how migration — whether of peoples, objects, or ideas — reshapes artistic traditions in ways that are at once disruptive and generative. Published by The Miegunyah Press, it stands as an essential scholarly resource for anyone seeking to understand the forces that have shaped the world's visual heritage. The question it leaves unanswered — perhaps deliberately — is whether convergence ever truly erases the original conflict.