Giotto: The Arena Chapel Frescoes
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: Very good
Pages: Tanning and foxing
Among the most celebrated achievements in the entire history of Western art, the frescoes of the Arena Chapel in Padua stand as Giotto di Bondone's supreme masterwork — a breathtaking cycle of narrative paintings that forever transformed the course of European painting. James H. Stubblebine's Giotto: The Arena Chapel Frescoes presents a rigorous and illuminating examination of this iconic commission, guiding the reader through the theological programme, compositional genius, and revolutionary naturalism that characterise every scene, from the life of the Virgin to the Passion of Christ. Part of Thames and Hudson's prestigious Critical Studies in Art History series, this volume situates Giotto's achievement within the broader intellectual and spiritual currents of early fourteenth-century Italy, arguing that his unprecedented rendering of human emotion and three-dimensional space marks the true dawn of the Renaissance. Stubblebine's scholarship is precise yet accessible, blending formal analysis with historical context to reveal how a single chapel in Padua became the crucible of modern art. For anyone who has stood beneath those luminous blue vaults — or who longs to — this is the definitive companion that will forever deepen the encounter.
Author: James H. Stubblebine
Format: Hardback
Genre: History of arts
Condition remarks:
Book: Good
Jacket: Very good
Pages: Tanning and foxing
Among the most celebrated achievements in the entire history of Western art, the frescoes of the Arena Chapel in Padua stand as Giotto di Bondone's supreme masterwork — a breathtaking cycle of narrative paintings that forever transformed the course of European painting. James H. Stubblebine's Giotto: The Arena Chapel Frescoes presents a rigorous and illuminating examination of this iconic commission, guiding the reader through the theological programme, compositional genius, and revolutionary naturalism that characterise every scene, from the life of the Virgin to the Passion of Christ. Part of Thames and Hudson's prestigious Critical Studies in Art History series, this volume situates Giotto's achievement within the broader intellectual and spiritual currents of early fourteenth-century Italy, arguing that his unprecedented rendering of human emotion and three-dimensional space marks the true dawn of the Renaissance. Stubblebine's scholarship is precise yet accessible, blending formal analysis with historical context to reveal how a single chapel in Padua became the crucible of modern art. For anyone who has stood beneath those luminous blue vaults — or who longs to — this is the definitive companion that will forever deepen the encounter.