Bonnard At Le Bosquet
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
Few artists have so completely merged their inner world with the landscape around them as Pierre Bonnard, and Bonnard at Le Bosquet stands as a luminous testament to this profound communion. This richly illustrated catalogue chronicles the years Bonnard spent at his beloved Le Bosquet property in Le Cannet, in the south of France, where the sun-drenched gardens, intimate interiors, and shimmering Mediterranean light became the very lifeblood of his late Post-Impressionist masterworks. Bonnard's art resists easy categorisation — it is simultaneously domestic and transcendent, intimate and visionary — and this volume captures that paradox with scholarly precision and visual splendour. Through detailed analysis of his paintings and working methods, the text illuminates how Le Bosquet was not merely a residence but a living studio, a world unto itself that Bonnard endlessly reinterpreted with vibrant colour and trembling, jewel-like brushwork. For anyone captivated by the intersection of place, memory, and artistic genius, this study poses an irresistible question: where does the garden end and the painting begin?
Author: Henry Meyric Hughes, Alexandra Noble
Format: Paperback
Published: 1994, The South Bank Centre
Genre: History of arts
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
Few artists have so completely merged their inner world with the landscape around them as Pierre Bonnard, and Bonnard at Le Bosquet stands as a luminous testament to this profound communion. This richly illustrated catalogue chronicles the years Bonnard spent at his beloved Le Bosquet property in Le Cannet, in the south of France, where the sun-drenched gardens, intimate interiors, and shimmering Mediterranean light became the very lifeblood of his late Post-Impressionist masterworks. Bonnard's art resists easy categorisation — it is simultaneously domestic and transcendent, intimate and visionary — and this volume captures that paradox with scholarly precision and visual splendour. Through detailed analysis of his paintings and working methods, the text illuminates how Le Bosquet was not merely a residence but a living studio, a world unto itself that Bonnard endlessly reinterpreted with vibrant colour and trembling, jewel-like brushwork. For anyone captivated by the intersection of place, memory, and artistic genius, this study poses an irresistible question: where does the garden end and the painting begin?