Illustration: Aspects And Directions
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Tanning and foxing
Condition remarks: Condition as shown in image
At the crossroads of commerce and creativity, Illustration: Aspects and Directions stands as a landmark guide that charts the evolving landscape of visual communication in the mid-twentieth century. Bob Gill, a celebrated American graphic designer and illustrator, joins forces with John Lewis, a respected British typographer and design historian, to present a richly curated survey of illustration as a professional discipline — examining how images function, persuade, narrate, and inspire across advertising, publishing, and editorial contexts. The work argues with clarity and conviction that illustration is not mere decoration but a sophisticated language in its own right, one governed by intention, wit, and cultural context. Gill and Lewis draw on a broad spectrum of international examples to illustrate how the best visual communicators marry concept with craft, challenging readers to reconsider the boundary between fine art and applied design. For students, practitioners, and collectors of graphic arts history alike, this volume remains a compelling testament to a golden era of hand-crafted imagery — leaving one to wonder just how radically the digital age has altered what it means to illustrate an idea.
Author: Bob Gill & John Lewis
Format: Paperback
Genre: The arts
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Tanning and foxing
Condition remarks: Condition as shown in image
At the crossroads of commerce and creativity, Illustration: Aspects and Directions stands as a landmark guide that charts the evolving landscape of visual communication in the mid-twentieth century. Bob Gill, a celebrated American graphic designer and illustrator, joins forces with John Lewis, a respected British typographer and design historian, to present a richly curated survey of illustration as a professional discipline — examining how images function, persuade, narrate, and inspire across advertising, publishing, and editorial contexts. The work argues with clarity and conviction that illustration is not mere decoration but a sophisticated language in its own right, one governed by intention, wit, and cultural context. Gill and Lewis draw on a broad spectrum of international examples to illustrate how the best visual communicators marry concept with craft, challenging readers to reconsider the boundary between fine art and applied design. For students, practitioners, and collectors of graphic arts history alike, this volume remains a compelling testament to a golden era of hand-crafted imagery — leaving one to wonder just how radically the digital age has altered what it means to illustrate an idea.