The Technique Of Film Editing
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
Few disciplines in cinema have shaped the art of storytelling as profoundly as film editing, and The Technique of Film Editing stands as the definitive masterwork on the subject. Originally conceived under the auspices of the British Film Academy, this enlarged edition chronicles the craft of editing from its earliest silent-film origins through to the sophisticated techniques of modern cinema, presenting both the theoretical underpinnings and the practical mechanics that transform raw footage into a compelling narrative experience. Karel Reisz, himself a celebrated director, and Gavin Millar construct a rigorous yet accessible framework, drawing on a vast array of illustrative examples from landmark films to instruct readers on matters of rhythm, continuity, and dramatic emphasis. What elevates this volume beyond a mere technical manual is its insistence that editing is, at its core, an art form guided by human judgment and creative vision. The authors argue with conviction that the editor's role is not merely corrective but fundamentally expressive — a perspective that places this text firmly within the canon of essential film theory. Richly detailed and authoritative in tone, it remains an indispensable reference for students, practitioners, and passionate cinephiles alike, prompting one to wonder: how many of cinema's most iconic moments owe their power not to the camera, but to the cut?
Author: Karel Reisz & Gavin Millar
Format: Paperback
Genre: Movies & entertainment
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
Few disciplines in cinema have shaped the art of storytelling as profoundly as film editing, and The Technique of Film Editing stands as the definitive masterwork on the subject. Originally conceived under the auspices of the British Film Academy, this enlarged edition chronicles the craft of editing from its earliest silent-film origins through to the sophisticated techniques of modern cinema, presenting both the theoretical underpinnings and the practical mechanics that transform raw footage into a compelling narrative experience. Karel Reisz, himself a celebrated director, and Gavin Millar construct a rigorous yet accessible framework, drawing on a vast array of illustrative examples from landmark films to instruct readers on matters of rhythm, continuity, and dramatic emphasis. What elevates this volume beyond a mere technical manual is its insistence that editing is, at its core, an art form guided by human judgment and creative vision. The authors argue with conviction that the editor's role is not merely corrective but fundamentally expressive — a perspective that places this text firmly within the canon of essential film theory. Richly detailed and authoritative in tone, it remains an indispensable reference for students, practitioners, and passionate cinephiles alike, prompting one to wonder: how many of cinema's most iconic moments owe their power not to the camera, but to the cut?