William Morris As Designer
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: Chipped and worn with some minor damage
Pages: Tanning and foxing
Markings: Previous owner
Few figures in the history of decorative arts loom as large as William Morris, the Victorian polymath whose passionate rejection of industrial ugliness ignited a revolution in design, craft, and beauty. William Morris as Designer by Ray Watkinson presents a thorough and authoritative account of Morris's extraordinary career, chronicling his pivotal role as the founding force behind the Arts and Crafts Movement and detailing his vast output across textiles, wallpapers, tapestries, typography, and stained glass. Watkinson argues with scholarly precision and genuine admiration that Morris's genius lay not merely in his prolific output, but in his radical philosophy — that art must be embedded in everyday life and produced by skilled, fulfilled human hands. The prose is clear and richly informed, situating Morris's aesthetic achievements within the broader social and political currents of 19th-century Britain. Illustrated with examples of Morris's iconic pattern work, this volume stands as an essential study for anyone who has ever paused before a swirling floral design and wondered at the restless, brilliant mind that first set it in motion.
Author: Ray Watkinson
Format: Hardback
Genre: History of arts
Condition remarks:
Book: Good
Jacket: Chipped and worn with some minor damage
Pages: Tanning and foxing
Markings: Previous owner
Few figures in the history of decorative arts loom as large as William Morris, the Victorian polymath whose passionate rejection of industrial ugliness ignited a revolution in design, craft, and beauty. William Morris as Designer by Ray Watkinson presents a thorough and authoritative account of Morris's extraordinary career, chronicling his pivotal role as the founding force behind the Arts and Crafts Movement and detailing his vast output across textiles, wallpapers, tapestries, typography, and stained glass. Watkinson argues with scholarly precision and genuine admiration that Morris's genius lay not merely in his prolific output, but in his radical philosophy — that art must be embedded in everyday life and produced by skilled, fulfilled human hands. The prose is clear and richly informed, situating Morris's aesthetic achievements within the broader social and political currents of 19th-century Britain. Illustrated with examples of Morris's iconic pattern work, this volume stands as an essential study for anyone who has ever paused before a swirling floral design and wondered at the restless, brilliant mind that first set it in motion.