Camille Pissarro: Impressionism, Landscape And Rural Labour
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Very good
Jacket: Very good
Pages: Good
Markings: No markings
A richly scholarly work of art history, this volume presents a focused examination of one of Impressionism's most socially conscious painters, situating Camille Pissarro's landscapes and rural scenes within the broader political and aesthetic currents of nineteenth-century France. Richard Thomson argues that Pissarro's depictions of peasant labor and the working countryside were not merely picturesque subjects but deliberate artistic and ideological statements rooted in anarchist thought and a deep commitment to rural life. With meticulous attention to individual works, Thomson illustrates how Pissarro's brushwork and compositional choices evolved in dialogue with both his Impressionist contemporaries and the radical social movements of his era. The tone is authoritative yet accessible, making it an essential resource for students and scholars of French art, while remaining engaging for any reader drawn to the intersection of art, politics, and the natural world.
Author: Richard Thomson
Format: Hardback
Published: 1990, New Amsterdam, New York
Genre: History of arts
Condition remarks:
Book: Very good
Jacket: Very good
Pages: Good
Markings: No markings
A richly scholarly work of art history, this volume presents a focused examination of one of Impressionism's most socially conscious painters, situating Camille Pissarro's landscapes and rural scenes within the broader political and aesthetic currents of nineteenth-century France. Richard Thomson argues that Pissarro's depictions of peasant labor and the working countryside were not merely picturesque subjects but deliberate artistic and ideological statements rooted in anarchist thought and a deep commitment to rural life. With meticulous attention to individual works, Thomson illustrates how Pissarro's brushwork and compositional choices evolved in dialogue with both his Impressionist contemporaries and the radical social movements of his era. The tone is authoritative yet accessible, making it an essential resource for students and scholars of French art, while remaining engaging for any reader drawn to the intersection of art, politics, and the natural world.