Vermeer And The Delft School
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Very good
Jacket: Very good
Pages: Good
Markings: No markings
A landmark work of art history, Vermeer and the Delft School presents a sweeping and authoritative examination of one of the most celebrated artistic movements of seventeenth-century Europe. Walter Liedtke situates Johannes Vermeer within the broader context of his contemporaries — including Pieter de Hooch, Carel Fabritius, and Emanuel de Witte — illustrating how the city of Delft itself shaped a distinctive visual culture defined by luminous interiors, architectural precision, and quiet domestic intimacy. Drawing on decades of curatorial scholarship, the text details the social, economic, and intellectual conditions of the Dutch Golden Age that gave rise to this remarkable concentration of artistic talent. Liedtke's analysis is rigorous yet accessible, combining meticulous archival research with close visual readings that reward both the specialist and the engaged general reader. The result is an indispensable reference that reframes Vermeer not as an isolated genius but as the supreme product of a thriving and interconnected artistic community.
Author: Walter Liedtke
Format: Paperback
Published: 2001, The Metropolitan Museum of Art, New York / Yale University Press, New Haven and London
Genre: History of arts
Condition remarks:
Book: Very good
Jacket: Very good
Pages: Good
Markings: No markings
A landmark work of art history, Vermeer and the Delft School presents a sweeping and authoritative examination of one of the most celebrated artistic movements of seventeenth-century Europe. Walter Liedtke situates Johannes Vermeer within the broader context of his contemporaries — including Pieter de Hooch, Carel Fabritius, and Emanuel de Witte — illustrating how the city of Delft itself shaped a distinctive visual culture defined by luminous interiors, architectural precision, and quiet domestic intimacy. Drawing on decades of curatorial scholarship, the text details the social, economic, and intellectual conditions of the Dutch Golden Age that gave rise to this remarkable concentration of artistic talent. Liedtke's analysis is rigorous yet accessible, combining meticulous archival research with close visual readings that reward both the specialist and the engaged general reader. The result is an indispensable reference that reframes Vermeer not as an isolated genius but as the supreme product of a thriving and interconnected artistic community.