The Marello Collection

The Marello Collection

$50.00 AUD

Availability: in stock at our Tullamarine warehouse

Condition: SECONDHAND

This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.


Condition remarks:
Book: Very good
Jacket: Very good
Pages: Good
Markings: Previous owner

A scholarly catalogue of Italian Renaissance and medieval paintings, The Marello Collection presents a rigorous and authoritative examination of a distinguished private assemblage of early Italian panel paintings. Compiled by the renowned art historian Miklós Boskovits, the work details the provenance, attribution, and iconographic significance of each work, drawing on deep archival research and connoisseurship. Written with the precision and gravity expected of academic art history, it instructs collectors, curators, and scholars alike on the stylistic traditions and workshop practices that shaped Italian painting from the Byzantine period through the early Renaissance. Each entry illuminates the broader cultural and artistic context of the works, situating them within the evolving canon of Italian art history. A vital reference for specialists in early Italian painting, the catalogue stands as both a testament to the Marello Collection's importance and a model of meticulous scholarly documentation.

Author: Miklós Boskovits
Format: Hardback
Published: 1985, Centro Di
Genre: History of arts

Description


Condition remarks:
Book: Very good
Jacket: Very good
Pages: Good
Markings: Previous owner

A scholarly catalogue of Italian Renaissance and medieval paintings, The Marello Collection presents a rigorous and authoritative examination of a distinguished private assemblage of early Italian panel paintings. Compiled by the renowned art historian Miklós Boskovits, the work details the provenance, attribution, and iconographic significance of each work, drawing on deep archival research and connoisseurship. Written with the precision and gravity expected of academic art history, it instructs collectors, curators, and scholars alike on the stylistic traditions and workshop practices that shaped Italian painting from the Byzantine period through the early Renaissance. Each entry illuminates the broader cultural and artistic context of the works, situating them within the evolving canon of Italian art history. A vital reference for specialists in early Italian painting, the catalogue stands as both a testament to the Marello Collection's importance and a model of meticulous scholarly documentation.